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‚ «Õ½¸¢¡¢¿¡¾¡¢ý
¾¢ÕôÒ¸ú - À¡¼ø 1313
¬¨º ¿¡ÖºÐÃ
(ÀÆÓ¾¢÷¡¨Ä)

song 1313
Asai nAlusadhura
(pazhamudhirchOlai)


Sri Gopala Sundaram
Sri Gopala Sundaram


¾Á¢Æ¢Öõ ¬í¸¢Äò¾¢Öõ
¦À¡Õû ±Ø¾¢ÂÐ
‚ §¸¡À¡Ä Íó¾Ãõ

Meanings in
Tamil and English by
Sri Gopala Sundaram



templetemple


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mp3



á¸õ ... À£õÀÇ¡Š
¾¡Çõ ... «í¸¾¡Çõ (9)
¾¸¢¼ ..1 1/2, ¾¸¢¼ ..1 1/2, ¾¸ ..1, ¾¸¢¼ ..1 1/2, ¾¸ ..1, ¾¸¢¼ ..1 1/2, ¾¸ ..1

¾¡É ¾¡É¾É ¾ò¾¾É ¾ò¾¾É
     ¾¡É ¾¡É¾É ¾ò¾¾É ¾ò¾¾É
          ¾¡É ¾¡É¾É ¾ò¾¾É ¾ò¾¾É ...... ¾ó¾¾¡É

......... À¡¼ø .........

¬¨º ¿¡ÖºÐ Ãì¸ÁÄ ÓüÈ¢¦É¡Ç¢
     Å£º¢ §Â¡ÊÂ¢Õ À츦Á¡Î ÈøÅÇ¢
          ¬Åø ÜÃÁñÓ ¾üºÄº ¦À¡üº¨ÀÔ ...... Á¢óÐÅ¡¨¸

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     Â¡Õ §º¡¾¢ÑÚ Àò¾¢Û¼ ¦ÉðÎþ¾
          Æ¡¸¢ §ÂØÁÇ Å¢ð¼Õ½ Å¢üÀ¾¢Â¢ý ...... Å¢óп¡¾

µ¨º º¡Ö¦Á¡Õ ºò¾Á¾¢ ¸ôÀʸ
     §Á¡Î ÜÊ¦Â¡Õ Á¢ò¾Ó¾ º¢ò¾¢¦Â¡Î
          §Á¡Ð §Å¾ºÃ ºò¾¢ÂÊ ÔüȾ¢Õ ...... ¿ó¾¢ä§¼

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          §Â¡¸ §À¾Å¨¸ ¦ÂðÎÁ¢¾¢ ¦Ä¡ðÎõŨ¸ ...... ¢ýÚ¾¡Ã¡ö

Å¡º¢ Å¡½¢¸¦É Éì̾¢¨Ã Å¢üÚÁ¸¢ú
     Å¡¾ çÃÉÊ ¨Á즸¡ÙìÕ ¨À츼×û
          Á¡¨Æ åÀýÓ¸ Áò¾¢¨¸Å¢ ¾ò¾Õ½ ...... ¦ºí¨¸Â¡Ç¢

Å¡Ì À¡¾¢Ô¨È ºò¾¢¸× ¡¢ì̾¨Ä
     Å¡Â¢ý Á¡Ðи¢÷ ÀÅÊ Å¢îº¢¨Å¦Âý
          Á¡Í §ºÃØÀ¢ Èô¨ÀÔÁ Úò¾×¨Á ...... ¾ó¾Å¡ú§Å

¸¡º¢ á¦ÁÍÃõ Ãò¿¸¢¡¢ º÷ôÀ¸¢¡¢
     ¬å÷ §ÅÖ÷ ¦¾×÷ ¸îº¢ÁÐ ¨ÃôÀÈ¢Âø
          ¸¡¨Å ãÐÃÕ ½ì¸¢¡¢¾¢ Õò¾½¢Âø ...... ¦ºó¾¢ø¿¡¨¸

¸¡Æ¢ §ÅÙ÷ÀÆ ¿¢ì¸¢¡¢ ÌÚ쨸¾¢Õ
     ¿¡Å æ÷¾¢Õ¦Å ¦½öôÀ¾¢Â¢ý Á¢ì¸¾¢¸ú
          ¸¡¾ø §º¡¨ÄÅÇ÷ ¦ÅüÀ¢Ö¨È Óò¾÷Ò¸ú ...... ¾õÀ¢Ã¡§É.

......... ¦º¡ø Å¢Çì¸õ .........

¬¨º ¿¡Ö ºÐà ¸ÁÄ ÓüÈ¢ý ´Ç¢ Å£º¢ ... ¾¢ì̸û ¿¡ýÌ Àì¸í¸Ç¡¸ì ¦¸¡ñ¼ ºÐÃÁ¡É ãÄ¡¾¡Ãì ¸ÁÄò¾¢ø ¦À¡Õó¾¢ þɢ ´Ç¢ Å£º¢¼,

µÊ þÕ À츦Á¡Î ¯È ¦ºø ÅÇ¢ ... þÃñÎ Àì¸í¸Ç¢Öõ ¦À¡Õó¾¢ (þ¨¼ ¸¨Ä, À¢í¸¨Ä ±ýÛõ þÕ ¿¡Ê¸Ç¢ý ÅÆ¢Â¡¸) µÎ¸¢ýÈ À¢Ã¡½ Å¡Ô*

¬Åø Üà Áñ Ó¾ø ºÄºõ ... Å¢ÕôÀõ Á¢ì¦¸Æ ÍÅ¡¾¢‰¼¡É** (¦¸¡ôâú) Ó¾ø ¬ì¸¢¨É (ÒÕÅ¿Î) ®È¡¸ ¯ûÇ ³Å¨¸ì ¸ÁÄí¸Ç¢Öõ µ¼ ¨ÅòÐ,

¦À¡ý º¨ÀÔõ þóÐ Å¡¨¸ ¬Ã ... (¾¢ø¨Ä¢ø ¿¼Éõ ¦ºöÔõ ¿¼Ã¡ƒ¡¢ý) ¸É¸ º¨ÀÔõ ºó¾¢Ã ¸¡ó¾¢Â¡ø ¿¢ÃõÀ¢ Å¢Çí¸,

ãÏ À¾¢Â¢ø ¦¸¡Ç ¿¢Úò¾¢ ... ãýÚ («ì¸¢É¢, ¬¾¢ò¾, ºó¾¢Ã) Áñ¼í¸Ç¢Öõ ¦À¡Õó¾ ¿¢Úò¾¢,

¦ÅÇ¢ ¬Õ §º¡¾¢ áÚ Àò¾¢Û¼ý ±ðÎ þ¾Æ¡¸¢ ... ¦ÅÇ¢ôÀÎõ §º¡¾¢Â¡É ¬Â¢ÃòÐ ±ðÎ þ¾§Æ¡Î ÜÊÂ,

²Øõ «Ç× þðÎ ... (À¢ÃÁÃó¾¢Ãõ - À¢óÐ Áñ¼Äõ, …†ŠÃ¡Ãõ - «¾Û¼ý ÜÊ ¬Ú ¬¾¡Ãí¸Ù¼ý ¦Á¡ò¾õ) ²Ø þ¼í¸¨ÇÔõ ¸ñ¼È¢óÐ,

«Õ½ Å¢üÀ¾¢Â¢ø ... º¢Åó¾ ´Ç¢Ô¼ý ÜÊ ÀýÉ¢Ãñ¼¡õ (ÐÅ¡¾º¡ó¾) ¬¾¡Ãò¾¢ø,

Å¢óÐ ¿¡¾ µ¨º º¡Öõ ... º¢Åºì¾¢ ³ì¸¢Â ¿¡¾ µ¨º ¿¢¨ÈóÐûÇ

´Õ ºò¾õ «¾¢¸ô Àʸ§Á¡Î ÜÊ ... ´ôÀüÈ ºò¾õ Á¢Ìó¾ ÀÇ¢íÌ §À¡ýÈ ¸¡ðº¢Ô¼ý Üʾ¡ö,

´ÕÁ¢òÐ «Ó¾ º¢ò¾¢¦Â¡Îõ ... ´ýÚ §º÷óÐ Á¾¢ Áñ¼Äò¾¢É¢ýÚõ ¦ÀÕ¸¢ô À¡Ôõ ¸Ä¡ «Á¢÷¾ô §ÀüÚ¼ý,

µÐ §Å¾ ºÃ ºò¾¢ «Ê ¯üÈ ¾¢Õ ¿ó¾¢ °§¼ ... Ò¸úóÐ ¦º¡øÄôÀÎõ §Å¾ Å¡º¢ ºì¾¢ìÌ ¬¾¡ÃÁ¡¸ ¯ûÇ ¾¢Õ ¿ó¾¢ ´Ç¢ìÌû§Ç,

°¨Á§Â¨É ´Ç¢÷Å¢òÐ ¯ÉÐ Óò¾¢ ¦ÀÈ ... °¨Á¡¸¢Â ±ý¨É Å¢Çí¸ ¨ÅòÐ ¿£ «ÕÙõ Óò¾¢¨Âô ¦ÀÈ,

ãÄ Å¡ºø ¦ÅÇ¢ Å¢ðÎ ¯ÉÐ ¯Ãò¾¢ø ´Ç¢÷ ... À¢ÃÁÃó¾¢Ãõ ±ÉôÀÎõ ãÄÅ¡ºø ¦ÅǢ¢ðΠŢÇí¸, ¯ÉÐ «ÕÇ¡üÈÄ¡ø ´Ç¢÷¸¢ýÈ

§Â¡¸ §À¾Å¨¸ ±ðÎõ þ¾¢ø ´ðÎõ Ũ¸ þýÚ ¾¡Ã¡ö ... §Â¡¸ Å¢¾í¸û*** ±ðÎõ þ¾¢ø ¦À¡ÕóÐõ Ũ¸¨Â ¿¡ý «È¢ÔÁ¡Ú þýÚ ¾ó¾ÕÙ¸.

Å¡º¢ Å¡½¢¸ý ±É ̾¢¨Ã Å¢üÚ Á¸¢ú ... ̾¢¨Ã Ţ¡À¡¡¢ ±É ÅóР̾¢¨Ã¸¨Ç Å¢üÚ Á¸¢ú¦¸¡ñ¼

Å¡¾ °Ãý «Ê¨Á ¦¸¡Ù ìÕ¨À ¸¼×û ... ¾¢ÕÅ¡¾çÃḢ Á¡½¢ì¸ Å¡º¸¨Ã «Ê¨Á¡¸ì ¦¸¡ñ¼ ¸¢ÕÀ¡¸Ã ã÷ò¾¢,

Á¡¨Æ åÀý Ó¸ Áò¾¢¨¸ Å¢¾òÐ «Õ½ ¦ºõ ¨¸Â¡Ç¢ ... ¦À¡ý ¯ÕÅò¾¢Éý, ̾¢¨Ãî §º½õ, º×ìÌ Å¨¸¸¨Çô À¢Êò¾ ¦ºùŢ ¾¢Õ쨸¨Âì ¦¸¡ñ¼ÅÉ¡¸¢Â º¢Å¦ÀÕÁ¡Û¨¼Â

Å¡Ì À¡¾¢ ¯¨È ºò¾¢ ¸×¡¢ ̾¨Ä š¢ý Á¡Ð ... þ¼Ð Àì¸ò¾¢ø ¯¨È¸¢ýÈ ºì¾¢, ¦¸Ç¡¢, ÁƨÄî ¦º¡ø §ÀÍõ Á¡Ð,

и¢÷ À ÅÊÅ¢ º¢¨Å ... ÀÅÇÓõ À ¿¢ÈÓõ ¦¸¡ñ¼ ÅÊÅ¢Éû,

±ý Á¡Í §º÷ ±Ø À¢Èô¨ÀÔõ «Úò¾ ¯¨Á ¾ó¾ Å¡ú§Å ... ±ýÛ¨¼Â ÌüÈõ ¿¢¨Èó¾ ²Ø À¢ÈôÒ¸¨ÇÔõ «Úò¾ ¯Á¡ §¾Å¢Â¡÷ ®ýÈ ¦ºøÅ§Á,

¸¡º¢ á¦ÁÍÃõ Ãò¿¸¢¡¢ º÷ôÀ¸¢¡¢ ... ¸¡º¢, þá§ÁÍÃõ, ¾¢ÕÅ¡ð§À¡ì¸¢, ¾¢Õî¦ºí§¸¡Î,

¬å÷ §Åæ÷ ¦¾ç÷ ¸îº¢ ÁШà ÀÈ¢Âø ... ¾¢ÕÅ¡å÷, §Åæ÷, §¾ç÷, ¸¡ïº£ÒÃõ, ÁШÃ, ¾¢ÕôÀÈ¢Âø,

¸¡¨Å ãà÷ «Õ½ ¸¢¡¢ ¾¢Õò¾½¢Âø ¦ºó¾¢ø ¿¡¨¸ ... ¾¢ÕÅ¡¨É측, ¾¢ÕôÒ¨ÉÅ¡ºø, ¾¢ÕÅñ½¡Á¨Ä, ¾¢Õò¾½¢¨¸, ¾¢Õóà÷, ¿¡¸ôÀðÊÉõ,

¸¡Æ¢ §Åé÷ ÀÆ¿¢ì¸¢¡¢ ÌÚ쨸 ... º£÷¸¡Æ¢, ¨Åò¾£ŠÅÃý §¸¡Å¢ø (§Åé÷), ÀÆ¿¢Á¨Ä, ¾¢ÕìÌÚ쨸,

¾¢Õ ¿¡Åæ÷ ¾¢Õ¦Å (ñ) ¦½ö À¾¢Â¢ø Á¢ì¸ ¾¢¸ú ... ¾¢Õ¿¡Åæ÷, ¾¢Õ¦Åñ¦½ö ¿øæ÷ ӾĢ ¾Äí¸Ç¢ø Å¢ÇíÌõ, (§ÁÖõ)

¸¡¾ø §º¡¨Ä ÅÇ÷ ¦ÅüÀ¢ø ¯¨È Óò¾÷ Ò¸ú ¾õÀ¢Ã¡§É. ... ¯ÉìÌ Å¢ÕôÀÁ¡É §º¡¨Ä Á¨Ä¢Öõ ¯¨È¸¢ýÈ ƒ£Åý Óì¾÷¸û Ò¸ú¸¢ýÈ ¾õÀ¢Ã¡§É.




  * þíÌ º¢Å§Â¡¸ Өȸû Å¢Çì¸ôÀðÎûÇÉ.
    «¾ý ÍÕì¸õ ÅÕÁ¡Ú:

¿¡õ ¯ûÙìÌ þØìÌõ ¸¡üÚìÌô 'âøõ' ±ýÚõ, ¦ÅǢŢÎõ ¸¡üÚìÌ '§Ãº¸õ' ±ýÚõ ¦ÀÂ÷. ¯û§Ç ¿¢Úò¾¢¨Åì¸ôÀÎõ ¸¡üÚìÌ 'ÌõÀ¸õ' ±ýÚ ¦ÀÂ÷. ¯ð ¦¸¡ûÙõ À¢Ã¡½Å¡Ô ¯¼Ä¢ø ÌÈ¢ôÀ¢ð¼ '¬¾¡Ãí¸û' (¿¢¨Ä¸û, ºì¸Ãí¸û) ãÄÁ¡¸ô ÀÊôÀÊ¡¸ô ÀÃÅ¢, §Áø §¿¡ì¸¢î ¦ºýÚ, ¾¨Ä¢ø 'À¢ÃÁ ¸À¡Ä'ò¾¢ø ¯ûÇ '…†ŠÃ¡Ãõ' (À¢óÐ ºì¸Ãõ) ±ýÈ ºì¸ÃòÐìÌî ¦ºøÖõ. þó¾ ³ì¸¢Âõ ²üÀÎõ§À¡Ð, «Ó¾ ºì¾¢ À¢ÈóÐ, ¬Ú ¬¾¡Ãí¸ÙìÌõ °ð¼ôÀðÎ, Á£ñÎõ «§¾ ÅÆ¢Â¢ø 'ãÄ¡¾¡Ã'ò¨¾ ÅóÐ «¨¼Ôõ. þó¾ ¬¾¡Ãí¸¨Ç ´ØíÌ ÀÎòÐõ Ũ¸Â¢ø ãýÚ 'Áñ¼Ä'í¸Ùõ («ì¸¢É¢, ¬¾¢ò¾, ºó¾¢Ã Áñ¼Äí¸û), ÀòÐ '¿¡Ê'¸Ùõ (þ¨¼¸¨Ä, À¢í¸¨Ä, ÍØÓ¨É Ó¾Ä¢ÂÉ) ¯ûÇÉ.

'þ¨¼¸¨Ä' ÀòÐ ¿¡Ê¸Ùû ´ýÚ. þ¼Ð ¿¡º¢Â¡ø Å¢Îõ ÍÅ¡ºõ.

'À¢í¸¨Ä' ÀòÐ ¿¡Ê¸Ùû ´ýÚ. ÅÄÐ ¿¡º¢ ÅÆ¢Â¡ø Å¢Îõ ÍÅ¡ºõ.

'ÍØ Ó¨É' þ¨¼¸¨ÄìÌõ À¢í¸¨ÄìÌõ þ¨¼Â¢ø ¯ûÇÐ.

'ÍØ Ó¨É' ¬¾¡Ãõ ¬È¢Öõ °ÎÕÅ¢ ¿¢üÀÐ. 'þ¨¼¸¨Ä'Ôõ, 'À¢í¸¨Ä'Ôõ ´ýÚ즸¡ýÚ À¢ýÉ¢ ¿¢üÀÉ.

ÍÅ¡º ¿¼ô¨À 'ôὡ¡Áõ' ±ýÈ §Â¡¸ Åý¨Á¡ø ¸ðÎôÀÎò¾¢É¡ø ÁÉ «¨Á¾¢ ²üÀÎõ.




    ** ¬¾¡Ãí¸Ç¢ý ¦ÀÂ÷¸Ùõ, ¯¼Ä¢ø þÕìÌõ þ¼õ, ¯¡¢Â ³õâ¾í¸û, «ÛðÊìÌõ§À¡Ð
    ÁÄ÷ ÅÊÅí¸Ç¢ý «¨ÁôÒ, «‡Ãì ÌÈ¢ôÒ ¬¸¢Â¨Å ¸£§Æ ¾ÃôÀðÎûÇÉ.
    §ÁÖõ þó¾ ¬¾¡Ãí¸ÙìÌ ¯¡¢Â ¾Äí¸û, ¸¼×Ç÷¸û ¦ÀÂ÷¸Ùõ ¦¸¡Îì¸ôÀðÎûÇÉ.


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  (*5) «‰¼¡í¸ §Â¡¸õ ±ýÈ ±ðΠŨ¸ §Â¡¸í¸û À¢ýÅÕÁ¡Ú:

1.   þÂÁõ - ¦À¡ö¡¨Á, ¦¸¡øÄ¡¨Á, ¾¢Õ¼¡¨Á, ¸¡ÓÈ¡¨Á, À¢È÷ ¦À¡Õû ¦Å·¸¡¨ÁÔ¼ý ÒÄý «¼ì̾ø.

2.   ¿¢ÂÁõ - ¾Åõ, àö¨Áò ¾òÐÅõ ¯½÷¾ø, ÒÉ¢¾õ, ¾¡Éõ, ¨ºÅ Өȸû, ¨ºÅ º¢ò¾¡ó¾ »¡Éõ, ¡¸õ.

3.   ¬ºÉõ - ¯¼Ä¡ø ¦ºöÔõ §Â¡¸ Өȸû - ÌÈ¢ôÀ¡¸ ÀòÁ, º¢õÁ, ÀòÃ, §¸¡Ó¸ ¬ºÉí¸û.

4.   ôὡ¡Áõ - §Ãº¸õ, ÌõÀ¸õ, âøõ ±ýÈ Å¨¸¸Ç¢§Ä ã «¼ì¸¢ ¬Ùõ Ó¨È.

5.   ôÃò¡†¡Ãõ - þ󾢡¢Âí¸¨Ç Å¢„Âí¸Ç¢Ä¢ÕóÐ ¾¢ÕôÀ¢, þ¨ÈÅ¨É ¯ûÓ¸Á¡¸ô À¡÷ò¾ø.

6.   ¾¡Ã¨½ - ÁÉò¨¾ ´Õ¿¢¨Äô ÀÎò¾¢ ÓÐÌ ¿¡Ê¢ÖûÇ ¬Ú ºìà ¬¾¡Ãí¸Ç¢Öõ þ¨ÈÅ¨É À¡Å¢ò¾ø.

7.   ¾¢Â¡Éõ - ³õÒÄý¸û, Àïº â¾í¸û, ÁÉõ, º¢ò¾õ ӾĢ «ó¾ì¸Ã½í¸û - þÅü¨È «¼ì¸¢ ¾¢Â¡É¢ò¾ø.

8.   ºÁ¡¾¢ - ÁÉò¨¾ô ÀÃõ¦À¡Õ§Ç¡Î ¿¢Úò¾¢ …†ŠÃ¡Ãò¾¢ø º¢Å ºì¾¢ ³ì¸¢Âò§¾¡Î ´ýÚÀ¼ø.

(¬¾¡Ãõ '¾¢ÕÁó¾¢Ãõ', ¾¢ÕãÄ÷ «ÕÇ¢ÂÐ).





Song 1313 - Asai nAlusadhura (pazhamudhirchOlai)

Aasai nAlu chathurak kamalam utrin oLi
     veesi Odi iru pakkamod uRa chel vaLi
          Aval kUra maNmudhaR jalaja poRsabaiyum ...... indhuvAgai

Aara mUNupathiyiR koLa niRuththi veLi
     Aru jOthi nuRupaththin udan ettu idha
          zhAgi Ezhum aLavit aruNaviR padhiyin ...... vindhu nAdha

Osai sAlum oru sadhdham adhikap padigam
     Odu kUdi orumith amudha sidhdhiyodum
          Odhu vEdha sarasaththi adiyutra thiru ...... nandhiyUdE

Umai Enai oLirvith unadhu muththi peRa
     mUla vAsal veLi vit unadh uraththil oLir
          yOga bEdha vagai ettum idhil ottum vagai ...... indruthArAy

vAsi vANigan enak kudhirai vitru magizh
     vAdha vUran adimaik koLu krupaik kadavuL
          mAzhai rUpan muga maththigai vidhatharuNa ...... sengaiyALi

vAgu pAdhi uRai saththi gavurik kudhalai
     vAyin mAdhu thugir pachchai vadivi sivai en
          mAsu sErezhu piRappaiyum aRuththa umai ...... thandha vAzhvE

kAsi rAmesuram rathnagiri sarpagiri
     ArUr vElur dhevur kachchi madhuraip paRiyal
          kAvai mUdhur aruNagiri thiruththaNiyal ...... sendhil nAgai

kAzhi vELur pazhanik giri kuRukkai thiru
     nAvalUr thiru veNeyp padhiyin mikka thigazh
          kAdhal sOlai vaLar veRpil uRai muththar pugazh ...... thambirAnE.

......... Meaning .........

Asai nAlu chathurak kamalam utrin oLi veesi: In the square whose four sides are the four directions, there is a lotus (MUlAdhAra ChakrA) on which pleasant light spreads;

Odi iru pakkamod uRa chel vaLi: the Pranic air (oxygen) that starts running from both sides of the chakrA (through the nAdis -nerves- called ida kala and pingala)*

Aval kUra maNmudhaR jalaja: eagerly rises from the chakrA SwadhishtAnam** (navel) right up to AgnyA (between the eyebrows) flowing through all the five kinds of lotus;

poRsabaiyum indhuvAgai: the golden shrine (where NadarAjar dances) is filled with moonlight;

Ara mUNupathiyiR koLa niRuththi: the air is properly held in the three zones (namely, the sun, the moon and the fire zones);

veLi Aru jOthi nuRupaththin udan ettu idhazhAgi: the resultant effulgence spreads in the 1008 - petal lotus in

Ezhum aLavitttu: [Brahmarandhiram (BindhumaNdalam, SahsrAram) plus the six chakrAs making] a total of seven centres - all of which are witnessed;

aruNaviR padhiyin vindhu nAdhaOsai sAlum: over those centres, in the twelfth (DwAdhasAntha) centre which is enriched with red light, where the merged Siva-Sakthi unison is resonating with great music,

oru sadhdham adhikap padigamOdu kUdi orumith amudha sidhdhiyodum: and where the vision is like a matchless marble with a powerful reverberation; all of these merge to cause the nectar from the Moon Zone to gush out and seep through;

Odhu vEdha sarasaththi adiyutra thiru nandhiyUdE: in the celebrated light from the great Nandhi which is said to be the foundation of all the VEdAs,

Umai Enai oLirvith unadhu muththi peRa: kindly bless and enlighten me, this dumb and mute one, so that I am liberated! For this,

mUla vAsal veLi vittu: In the primordial gate known as Brahmarandhram,

unadh uraththil oLir yOga bEdha vagai ettum idhil ottum vagai indruthArAy: the yOgAs of eight kinds*** which are ebullient by Your kind grace, will have to be synchronised; please show me the method by which this can be accomplished.

vAsi vANigan enak kudhirai vitru magizh: He came happily in the disguise of a horse-trader and

vAdha vUran adimaik koLu krupaik kadavuL: took control of VadhavUrar (MAnikkavAacakar); He is the most compassionate one;

mAzhai rUpan muga maththigai vidhatharuNa sengaiyALi: His complexion is that of gold; in His hallowed reddish hands, He held many varieties of saddles and whips of the horses; He is Lord SivA;

vAgu pAdhi uRai saththi gavurik kudhalai vAyin mAdhu: concorporate in half of His body is ParAsakthi, Gowri, Mother who prattles like a child;

thugir pachchai vadivi sivai: She has a complexion combining coral and emerald-green hues; She is the Consort of SivA;

en mAsu sErezhu piRappaiyum aRuththa umai thandha vAzhvE: She severed my seven births filled with blemishes; She is UmAdEvi; and You are Her Treasure, Oh Lord!

kAsi rAmesuram rathnagiri sarpagiri: KAsi, RAmEswaram, Rathnagiri (ThiruvAtpOkki), the Snake Mountain (ThiruchchengkOdu),

ArUr vElur dhevur kachchi madhuraip paRiyal: ThiruvArUr, Vellore, ThEvUr, KAnchipuram, Madhurai, ThiruppaRiyal,

kAvai mUdhur aruNagiri thiruththaNiyal sendhil nAgai: ThiruvAnaikkA, ThiruppunaivAsal, ThiruvaNNAmalai, ThiruththaNigai, ThiruchchendhUr, NagappatiNam,

kAzhi vELur pazhanik giri kuRukkai: SeegAzhi, Vaitheeswaran KOyil (VELUr), Mount Pazhani, ThirukkuRukkai,

thirunAvalUr thiru veNeyp padhiyin mikka thigazh: ThirunAvalUr and ThiruveNNainallUr - these are a few places where You have Your abode, and

kAdhal sOlai vaLar veRpil uRai muththar pugazh thambirAnE.: Your favourite residing place is the mountain in Pazhamuthir cOlai; the realised souls living in all these centres praise You, Oh Great One!




  * In this song, several Siva-yOgA principles are explained:

The inhaled air is known as 'pUragam' and the exhaled air is 'rechagam'. The retained air is 'kumbagam'. The oxygen that enters the body climbs up step by step through several centres, known as 'chakrAs' and ultimately reaches 'sahasrAram' or 'bindhuchakram' on the top of the skull. At that point of union, nectar flows from that chakrA and seeps through and soaks the six centres of the body and returns to the basic chakrA, 'mUlAthAram'. Three zones (namely, the sun zone, the moon zone and the fire zone) and ten nerves ('nAdis') govern the six centres; the principal nerves are 'susumna', 'idaikala' and 'pingala'.

idakala: one of the ten 'nAdis' (nerves), when inhalation takes place through the left nostril;
pingala: one of the ten 'nAdis' (nerves), when inhalation takes place through the right nostril;
susumna: one of the ten 'nAdis' (nerves), situated between the above two 'nadis', and running through the spinal chord covering all the six centres of 'kundalini'. ('idakala' and 'pingala' are entwined around 'susumna').

If breathing is controlled through a yOgA called 'praNAyAmA', the mind becomes tranquil.




    ** The names of the chakrA centres, the deities, the elements, the zones of the body
    where they are located, the shape of the chakrAs, the description of the flowers in the
    chakrAs, the letters of the manthrA governing them and the temple-towns representing
    them are given in the following chart:


ChakrA


Body Zone


Element


Shape


Letter


Temple


Deity


mUlAthAram

Genitals

Earth

4-petal lotus
Triangle

Om

ThiruvArUr

VinAyagar

swAthishtAnam

Belly-button

Fire

6-petal lotus
Lingam - Square

na

ThiruvAnaikkA

BrahmA

maNipUragam

Upper belly

Water

10-petal lotus
cobra in box
central circle

ma

ThiruvaNNAmalai

Vishnu

anAgatham

Heart

Air

12-petal lotus
Triangle lotus circle

si

Chidhambaram

RUdhran

visudhdhi

Throat

Sky

16-petal lotus
Hexagon

va

ThirukkALaththi

MahEswaran

AgnyA

Between the
eyebrows

Mind

3-petal lotus

ya

VaranAsi (kAsi)

SathAsivan

Bindu chakkaram
(DhwAdhasAntham,
SahasrAram,
Brahma-ranthiram)


Over the skull

 

1008-petal
lotus

 

Mount KailAsh

Siva-Sakthi
Union



  *** The eight kinds of yOgAs 'ashtAnga yOgAs', are as follows:


1.   'iyamam' - non-lying, non-killing, non-stealing, non-yielding to lust and greed; complete control of sensory organs.

2.   'niyamam' - meditation, realising the value of purity, holiness, charity, vows in Saiva ways, knowledge of Saiva Sidhdhantha, sacrifices etc.

3.   'Aasanam' - bodily postures, chief among which are 'padma' (lotus), 'simha' (lion), 'bhadra' (happy), 'gomuka' etc.

4.   'prAnAyAmam' - Control of breath through 'rechagam', 'pUragam' and 'kumbagam'.

5.   'pratyAhAram' - Withdrawing the mind from the objects of the senses and looking inward.

6.   'dharaNai' - Concentration on the six chakras and on the ChidakAsam within the spinal colums.

7.   'dhyAnam' - When the five elements, the five senses and the internal organs like mind, intellect etc. are contained and meditation is undertaken.

8.   'samAdhi' - The final stage of yOgA involving the attainment of 'sahasrArA' and union with Siva-Sakthi.

- source: 'Thirumandhiram' by ThirumUlar.


  (1104-0365-0000_000CA)*fam


þôÀ¡¼Ä¢ý ´Ä¢ôÀ¾¢×(¸û)  audio recording(s) of this song

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