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 Á¨Èì¸×õ Å¡ºÄ¢§Ä ¾¨Ä Á¨È ¿¢ü¸×õ ¬¨º ¯(û)§Ç¡÷ ±É Ó¸¢ú ¿¨¸î º¢Ú ྡྷ¨É ²Å×õ ... Á¡÷À¸ò¨¾ Á¨Èì¸×õ, ´Õ Å¡ºü ÀÊÂÕ¸¢ø ¾¨Ä Á¨ÈÔõÀÊ ¿¢ü¸×õ, ¬¨º ¦¸¡ñÎûÇÅ÷¸û §À¡Ä, «ÕõÒ §À¡ýÈ Àü¸¨Çì ¸¡ðÊô (Òýɨ¸ ±ýÛõ) ´Õ º¢È¢Â ਾ «ÛôÀ×õ,

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¿¡ý ±É§Å «(ñ)½¢ Å¢¨Ä ®§¾ ¸Ê ºò¾¢ÂÁ¡õ ±É§Å ¦º¡(ø)Ä¢ «Å÷ ¦¸¡Î «ôÀ½õ Á¡È¢¼ Å£¦È¡Î ¸Î¸Îò¾¢ÎÅ¡¦Ã¡Î ÜÊÂÐ «¨Á¡§¾¡ ... ¿¡ý ¯û§Çý ±ýÀÐ §À¡ø º¡÷óÐ ¦¿Õí¸¢, (±ÉìÌì ¦¸¡Îì¸ §ÅñÊÂ) ¦À¡Õû þЧÅ, (¿¡ý ÜÚÅÐ) ¸ñÊôÀ¡É ¯ñ¨Á ¦Á¡Æ¢Â¡Ìõ ±ý¦ÈøÄ¡õ ¦º¡øÄ¢, «Å÷¸û ¦¸¡ÎòÐ ÅÕõ «ó¾ô À½õ ÅÕ¾ø þøÄ¡Áø Á¡È¢Â×¼ý, ¦ÅÚôÒõ, §¸¡ÀÓõ ¸Äó¾ ÁÉôÀ¡ý¨Á§Â¡Î, º¢Î º¢Î ±ýÚ º¢ÉóÐ §ÀÍÅ¡§Ã¡Î ®ÎÀðÎ ´Ø¸¢ÂÐ ÓÊ× «¨¼Â¡§¾¡?

Á¨Ä¨Â ÁòÐ ±É š͸¢§Â ¸¨¼ ¸Â¢Ú ±Éò ¾¢ÕÁ¡ø ´Õ À¡¾¢Ôõ ÁÕ×õ ÁüÈÐ Å¡Ä¢Ôõ §Áø þ¼ ... (Áó¾Ã) Á¨Ä¨Â Áò¾¡¸ ¿¡ðÊ, š͸¢ ±ýÛõ À¡õ¨Àì ¸¨¼¸¢ýÈ ¸Â¢È¡¸ì ¦¸¡ñÎ, ¾¢ÕÁ¡ø ´Õ À¡¾¢ô ÒÈÓõ, ¦À¡Õó¾¢Â Áü¦È¡Õ À¡¾¢ô ÒÈò¨¾ Å¡Ä¢ÔÁ¡¸ ÓüÀðÎ,

«¨Ä ¬Æ¢ ÅÄ Óð¼ ´÷ µ¨ºÂ¾¡ö ´Ä¢ ¾¢Á¢¾¢ Á¢ò¾¢õ ±É¡ ±Æ§Å ... «¨Ä¸û Å£Íõ ¸¼Ä¢Ä¢ÕóÐ âÅÄÂõ ÓبÁÔõ ´§Ã §À¦Ã¡Ä¢Â¡ö ºô¾õ ¾¢Á¢ ¾¢Á¢ò¾¢õ ±ýÚ ¸¢ÇõÀ×õ,

«¨Ä ÁÚ¸¢¼ì ¸¨¼Â¡ ±Æ §Áø ±Øõ «Ó§¾¡§¼ Ð¨Ä ÅÕò ¾¢Õ Á¡ Á¢ø Å¡ú×Ç Å嬀 «üÒ¾§É ... ¸¼ø ¸ÄíÌõÀÊ ¸¨¼¾¨Ä §Áü¦¸¡ûÇ, («ô§À¡Ð) §Á§Ä ±Øó¾ «Óм§É «¾üÌ ´ôÀ¡¸ Åó¾ «Æ¸¢Â Á¢ø §À¡ýÈ ÄŒÁ¢Â¢ý Å¡ú쨸ìÌ þ¼Á¡¸ (¦ºøÅî º¢Èô§À¡Î) Å¢ÇíÌõ ÅÂæ¡¢ø ¯¨ÈÔõ «üÒ¾ ã÷ò¾¢§Â,

Å¢¨É¡ɨŠ¦¾¡¼÷ «Úò¾¢Îõ ¬¡¢Â §¸ÅÄ¢ Á½Å¡Ç¡ ... Å¢¨É¸Ç¢ý ¦¾¡¼÷¨À «ÚòÐ ±È¢Ôõ «ÆÌ, §Áý¨Á þ¨Å ¦¸¡ñ¼, Óì¾¢¨Âò ¾ÃÅøÄ, §¾Å¡¨É¢ý Á½Å¡Ç§É,

ÐÅû ¸Êî º¢¨Ä §Åû À¨¸Å¡ ¾¢Õ ÁÚ ´÷ ±ðμý ¬Â¢Ãõ §Áø ´Õ иû «ÚòÐ «½¢ ¬÷ «Æ¸¡ ÍÃ÷ ¦ÀÕÁ¡§Ç. ... ŨÇóÐûÇ, ÒШÁ Å¡öó¾ (¸ÕõÒ) Å¢ø¨Äì ¦¸¡ñ¼ ¸¡Á §ÅÇ¡¸¢Â ÁýÁ¾ÛìÌ ±¾¢Ã¡ö ÅóÐ («Åý ¾Õõ º¢üÈ¢ýÀòÐìÌ ±¾¢Ã¡É §À¡¢ýÀò¨¾ò ¾Õõ) ¦ºù§Å§Ç, «Æ¸¢Â Áîº §Ã¨¸ ¬Â¢ÃòÐ ±ðÎìÌõ §ÁÄ¡¸ì ¦¸¡ñÎ, ÌüȦÁøÄ¡õ «ÚòÐ ±È¢Ôõ ´ôÀüÈ §Å¨Äì ¦¸¡ñ¼ «Æ¸§É, §¾Å÷¸û ¦ÀÕÁ¡§Ç.

Song 914 - mulai maRaikkavum (vayalUr)

mulaima Raikkavum vAsali lEthalai
     maRaiya niRkavum Asaiyu LOrena
          mukizhna kaicchiRu thUthinai yEvavu ...... mukamOdE

mukama zhuththavum AsaikaL kURavu
     nakama zhuththavum leelaiyi lEyuRa
          muRaima sakkavum vAsamu lAmala ...... raNaimeethE

kalaine kizhkkavum vAlipa rAnavar
     udalsa Lappada nALvazhi nALvazhi
          kaRaiya zhikkavu nAnena vEyaNi ...... vilaiyeethE

kadiya saththiya mAmena vEsoli
     yavarko dappaNa mARida veeRodu
          kaduka duththidu vArodu kUdiya ...... thamaiyAthO

malaiyai maththena vAsuki yEkadai
     kayiRe naththiru mAloru pAthiyu
          maruvu matRathu vAliyu mElida ...... alaiyAzhi

valaya muttavo rOsaiya thAyoli
     thimithi miththime nAvezha vEyalai
          maRuki dakkadai yAvezha mElezhu ...... mamuthOdE

thulaiva ruththiru mAmayil vAzhvuLa
     vayalai yaRputha nEvinai yAnavai
          thodara Ruththidu mAriya kEvali ...... maNavALA

thuvaLka dicchilai vELpakai vAthiru
     maRuvo rettuda nAyira mEloru
          thukaLa RuththaNi yArazha kAsurar ...... perumALE.

......... Meaning .........

mulai maRaikkavum vAsalilE thalai maRaiya niRkavum Asai u(L)LOr ena mukizh nakaic chiRu thUthinai Evavum: Concealing their bosom, standing at the door-step just hiding their head, sending (their smile as) a symbolic emissary by showing their bud-like teeth as though they are deeply in love,

mukam OdE mukam azhuththavum AsaikaL kURavu(m) nakam azhuththavum leelaiyilE uRa muRai masakkavum: pressing their face with (their suitor's) face, chatting away with provocative words, making nail-marks, enchantingly calling (their suitors) with various invented relationships (like uncle, cousin etc.),

vAsam ulA malar aNai meethE kalai nekizhkkavum vAlipar Anavar udal saLappada nAL vazhi nAL vazhi kaRai azhikkavum: loosening their attire lying on top of the flowery and fragrant bed, causing destruction to the bodies of young men, contaminating their blood day after day,

nAn enavE a(N)Ni vilai eethE kadiya saththiyamAm enavE so(l)li avar kodu appaNam mARida veeRodu kadukaduththiduvArodu kUdiyathu amaiyAthO: getting close (to their suitors) as if they are announcing their presence and declaring "This is the amount that you have to give me; trust me, whatever I say is nothing but truth", and once the inflow of money ceases, they display an attitude of hatred and rage by admonishing them with harsh words; and why is there no end to my indulging with these whores?

malaiyai maththu ena vAsukiyE kadai kayiRu enath thirumAl oru pAthiyum maruvum matRathu vAliyum mEl ida: Erecting the mount (Manthara) as the churning rod and using the serpent VAsuki as the churning rope, one side of the rope was held by Lord VishNu and the other side by VAli when they engaged in the act (of churning the milky ocean);

alai Azhi valaya mutta or OsaiyathAy oli thimithi miththim enA ezhavE: from the wavy seas, a loud noise emerged and encompassed the entire world sounding "thimithi miththim";

alai maRukidak kadaiyA ezha mEl ezhum amuthOdE thulai varuth thiru mA mayil vAzhvuLa vayalai aRputhanE: as the churning intensified agitating the sea, nectar came up on top of the ocean, and along with that, Goddess Lakshmi, sweet like that nectar, and looking like a beautiful peacock, emerged; apt for the residence of that Lakshmi is the (prosperous) town VayalUr, and You are seated there, Oh Wondrous Lord!

vinaiyAnavai thodar aRuththidum Ariya kEvali maNavALA: She has the charm and renown that could sever the bondage with past deeds and deliver liberation; and You are the consort of that DEvayAnai, Oh Lord!

thuvaL kadic chilai vEL pakaivA thiru maRu or ettudan Ayiram mEl oru thukaL aRuththu aNi Ar azhakA surar perumALE.: Confronting Manmathan, the God of Love, who has a bent and novel bow (of sugarcane), You outshone him (by offering eternal bliss rather than the transitional pleasure Manmathan could provide), Oh reddish Lord! Over a thousand and eight beautiful moles adorn Your body, and You hold the matchless spear that could sever and cast away all blemishes, Oh Handsome One! You are the Lord of the celestials, Oh Great One!

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