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Kaumara_chellam   

‚ «Õ½¸¢¡¢¿¡¾¡¢ý
¾¢ÕôÒ¸ú - À¡¼ø 762
ãÄ Óñ¼¸Û â¾¢
(¾¢Õ¿øæ÷)

song 762
mUla muNdaganu bUdhi
(thirunallUr)


Sri Gopala Sundaram
Sri Gopala Sundaram


¾Á¢Æ¢Öõ ¬í¸¢Äò¾¢Öõ
¦À¡Õû ±Ø¾¢ÂÐ
‚ §¸¡À¡Ä Íó¾Ãõ

Meanings in
Tamil and English by
Sri Gopala Sundaram



templetemple


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á¸õ ...
¾¡Çõ ...

¾¡É ¾ó¾¾É ¾¡É ¾ó¾¾É
     ¾¡É ¾ó¾¾É ¾¡É ¾ó¾¾É
          ¾¡É ¾ó¾¾É ¾¡É ¾ó¾¾É ...... ¾ó¾¾¡É

......... À¡¼ø .........

ãÄ Óñ¼¸Û â¾¢ Áó¾¢ÃÀ
     Ã¡À Ãïͼ÷¸û ãÏ Áñ¼Ä«
          ¾¡Ã ºó¾¢Ó¸ Á¡Ú Á¢óòÃ¾Õ ...... ×ó¾Ç¡§Áø

ãÐ ÃõÀÄÅ÷ À£¼ Áó¾ÓÁ¢
     Ä¡¾ Àó¾¦Å¡Ç¢ ¡¢ Ãí¸¢Ã½
          ãÏ Á¢óЦšǢ÷ §º¡¾¢ Å¢ñÀʸ ...... Å¢óп¡¾õ

µÄ ¦ÁýÚÀÄ ¾¡Ç ºó¾Á¢Î
     §º¨Å ¸ñ¼Ó¨¾ Å¡¡¢ ÔñÎĸ¢
          §ÃØ ¸ñÎÅ¢¨Ç Â¡Ê Â¢óи¾¢ ...... Ãí¸¢ÝÄõ

µÎ Áó¾¸Ä¢ ¸¡¦Ä¡ Îí¸¿Î
     à½¢ø ¾í¸Å¡¢ »¡É Åñ¸Â¢Ú
          Á£¾ ¨½óк¾ §¸¡Ê ºóòæšǢ ...... ºó¾¢Â¡§¾¡

ÝÄ¢ Â󾡢¸ À¡Ä¢ ºí¸¡¢Ò
     Ã¡¡¢ ÂõÀ¡¢Ì Á¡¡¢ ¦Âñ̽Í
          Å¡Á¢ Àí¸¢º¢Å ¸¡Á Íó¾¡¢Ô ...... ¸ó¾§º§Â

Ýà ºí¸ÃÌ Á¡Ã þó¾¢Ãº
     ¸¡Â «ýÀÕÀ ¸¡Ã Íó¾ÃÌ
          ¸¡± ÛïÍÕ¾¢ §Â¡Ä ¦Á¡ýÈ¿¼ ...... Éí¦¸¡û§ÅÄ¡

º£Ä ¦Åñ¦À¡Ê¢ ¼¡¾ ¦ÅïºÁ½÷
     Á¡Ç ¦Åí¸ØÅ¢ §ÄÚ ¦ÁýÚ¦À¡Ê
          ¿£È¢ Îí¸ÁÄ À¡½¢ ºóòÃÓ¸ ...... ¸ó¾§Å§Ç

§¾Å Ãõ¨ÀÂÓ ¾£½ Áí¨¸¾Õ
     Á¡É ¨½ó¾Ò ¾£Ã ºí¸Ã¾¢
          Â¡¸÷ ÅóШȿ æÃ Á÷óÐÅÇ÷ ...... ¾õÀ¢Ã¡§É.

......... ¦º¡ø Å¢Çì¸õ .........

ãÄ Óñ¼¸õ «Ûâ¾¢ Áó¾¢Ã ÀáÀÃõ ͼ÷¸û ãÏ Áñ¼Ä (¬)¾¡Ã ºó¾¢ Ó¸õ ¬Úõ þóòà ¾Õ×õ ¾Ç¡§Áø ... ãÄ¡¾¡Ã ¸ÁÄò¾¢ø ¯ûÇ «ÛÀÅ »¡Éò¨¾ò ¾Õõ Áó¾¢Ãõ §Áø ¿¢¨Ä¢ø ¯ûÇ (Ý¡¢Â, ºó¾¢Ã, «ì¸¢É¢ ±ÉôÀÎõ) Óîͼ÷¸û, ãýÚ Áñ¼Äí¸û, ¬¾¡Ãí¸Ç¡¸ ºó¾¢ì¸ôÀÎõ ¬Ú ¬¾¡Ãí¸û*, ¸üÀ¸ Å¢Õ‡õ (§À¡Ä Å¢ÕõÀ¢Â ±øÄ¡õ «Ç¢ì¸ ÅøÄ §Á¨Äî º¢Å Å£¾¢ þ¨Å¸¨Ç ±øÄ¡õ) ¾¡ñÊ «¨Å¸Ç¢ý §Áø ¦ºýÚ,

ãÐà «õÀÄÅ÷ À£¼õ «ó¾Óõ þÄ¡¾ Àó¾ ´Ç¢ ¬Â¢Ãõ ¸¢Ã½ ãÏõ þóÐ ´Ç¢÷ §º¡¾¢ Å¢ñ Àʸ Å¢óÐ ¿¡¾õ µÄõ ±ýÚ ÀÄ ¾¡Ç ºó¾õ þÎ §º¨Å ¸ñÎ «Ó¨¾ Å¡¡¢ ¯ñÎ ... À¨ÆÂ (±øÄ¡ ¾òÐÅí¸Ùõ ´ÎíÌõ ÀæšǢô) À£¼Á¡¸¢Â ÄÄ¡¼ Áñ¼Àò¾¢ø, ÓÊÅ¢øÄ¡¾ ¾¢Ãñ¼ ´Ç¢Â¡ö Å¢ÇíÌõ, ¬Â¢Ãõ ¸¢Ã½í¸û Å£Íõ ãýÈ¡õ À¢¨È ¿¢ÄÅ¢ý ÅʨÅì ¦¸¡ñ¼ ¬ì¨» ¬¾¡Ãò¾¢ø, ºó¾¢Ã ´Ç¢Ô¼ý ÜÊ §Áø ¿¢¨Ä¢ø ÀÇ¢íÌ §À¡ø Å¢ÇíÌõ Å¢óÐ ºõÀó¾ (º¢Åºì¾¢ ³ì¸¢Â) ¿¡¾ ´Ä¢ «ÀÂõ ±ýÚ «¨Æò¾ø §À¡ýÈ ´Ä¢Ô¼ý ÀÄ Å¨¸Â¡É ¾¡Çí¸û ºó¾í¸û ¸ÄìÌõ ¿¼É ¾¡¢ºÉò¨¾ì ¸ñÎ §¾Å¡õÕ¾ ¸¼¨Äô ÀÕ¸¢,

¯ÄÌ ®÷ ²Ø ¸ñΠިÇÂ¡Ê þóÐ ¸¾¢÷ «í¸¢ ÝÄõ µÎõ «ó¾ ¸Ä¢¸¡ø ´Îí¸ ¿Î རø ¾í¸ Å¡¢ »¡É Åñ ¸Â¢Ú Á£Ð «¨½óÐ º¾ §¸¡Ê ºó¾¢Ã ´Ç¢ ºó¾¢Â¡§¾¡ ... À¾¢É¡Ö ¯Ä¸í¸¨ÇÔõ «í§¸ Å¢Çì¸ÓÈò ¾¡¢º¢òÐ «ÛÀÅ¢òÐ, ºó¾¢Ãý, Ý¡¢Âý, «ì¸¢É¢ (þ¨¼¸¨Ä, À¢í¸¨Ä, ÍØÓ¨É ±ýÛõ) ãýÚ ¿¡Ê¸Ç¢ý ÅÆ¢§Â ÝÄõ §À¡Ä µÎ¸¢ýÈ «ó¾ô À¢Ã¡½ Å¡Ô ´Îí¸, (Å£½¡ ¾ñ¼õ ±ýÛõ) ÓÐÌ ±ÖõÀ¢ø ¾í¸¢, »¡É ÅÇôÀõ ¦À¡Õó¾¢Â ÍØ Ó¨Éì ¸Â¢üÈ¢ý ÅÆ¢§Â §Á§Ä ¾ØÅ¢, áÚ §¸¡Ê ºó¾¢Ã÷¸Ç¢ý ´Ç¢¨Â (º¢Åô §À¦Ã¡Ç¢¨Âî) ºó¾¢ìÌõ À¡ì¸¢Âõ ±ÉìÌì ¸¢ðΧÁ¡?

ÝÄ¢ «ó¾¡¢ ¸À¡Ä¢ ºí¸¡¢ Òá¡¢ «õÀ¡¢ ÌÁ¡¡¢ ±ñ ̽ ÍÅ¡Á¢ Àí¸¢ º¢Å¸¡Á¢ Í󾡢 ¯¸ó¾ §º§Â ... ÝġԾò¨¾ ²ó¾¢ÂÅû, Àḡº ÅʨН¨¼ÂÅû, ¸À¡Äõ ²ó¾¢Â ºí¸¡¢, ¾¢¡¢ÒÃõ ±¡¢ò¾Åû, ¾¢¡¢ ÒÃõ ±¡¢ò¾ §À¡Ð «õÀ¡¸ þÕó¾ ¨Å‰½Å¢, ±ýÚõ þ¨ÇÂÅû, ±ðÎ** ̽ò¾¢ÉÃ¡É º¢Å¦ÀÕÁ¡ý À¡¸ò¾¢ø ¯¨ÈÀÅû ¬¸¢Â º¢Å¸¡Á Í󾡢 Á¸¢Øõ ÌÆó¨¾§Â,

Ýà ºí¸Ã ÌÁ¡Ã þó¾¢Ã º¸¡Â «ýÀ÷ ¯À¸¡¡¢ Íó¾Ã ̸¡ ±Ûõ ÍÕ¾¢ µÄõ ´ýÈ ¿¼Éõ ¦¸¡û §ÅÄ¡ ... ÝÃ¨É «Æ¢ò¾ ÌÁ¡Ã §Å§Ç, þó¾¢ÃÛìÌ ¯¾Å¢ ¦ºö¾Å§É, «Ê¡÷¸ÙìÌ ¯À¸¡Ãõ ¦ºö¾Å§É, «Æ¸§É, ̸§É ±ý¦ÈøÄ¡õ §Å¾í¸û ӨȢðÎ ¯¨Ãì¸ ¿¼Éõ ¦ºö¾ §ÅħÉ,

º£Ä ¦Åñ ¦À¡Ê þ¼¡¾ ¦Åõ ºÁ½÷ Á¡Ç ¦Åõ ¸ØÅ¢ø ²Úõ ±ýÚ ¦À¡Ê ¿£Ú þÎõ ¸ÁÄ À¡½¢ ºó¾¢Ã Ó¸ ¸ó¾ §Å§Ç ... À¡¢Íò¾Á¡É ¾¢Õ¦Åñ½£ü¨È «½¢Â¡¾Å÷¸Ùõ ¦¸¡ÊÂÅ÷¸Ùõ ¬¸¢Â ºÁ½÷¸û þÈìÌõÀÊ ¦¸¡Ê ¸ØÁÃò¾¢ø ²Úí¸û ±ýÚ (¾¢Õ»¡ÉºõÀó¾Ã¡¸ ÅóÐ) ¾¢ÕÅ¢¨Ç¡¼ø þÂüÈ¢ ¾¢Õ¿£ü¨È (Üý À¡ñÊÂÛìÌõ, «Ê¡÷¸ÙìÌõ) «Ç¢ò¾ ¾¡Á¨Ãì ¨¸Â§É, ºó¾¢Ãý §À¡ýÈ (¬Ú) Ó¸Ó¨¼Â ¸ó¾ §Å§Ç,

§¾Å Ãõ¨À «ÓÐ ®½ Áí¨¸ ¾Õ Á¡ý «¨½ó¾ Ò ¾£Ã ºí¸Ã ¾¢Â¡¸÷ ÅóÐ ¯¨È ¿(ø)æ÷* «Á÷óÐ ÅÇ÷ ¾õÀ¢Ã¡§É. ... §¾Å §Ä¡¸òÐ Ãõ¨À §À¡ýÈÅÙõ À¡ü ¸¼ø «Ó¾òмý §¾¡ýÈ¢ÂÅÙõ ¬¸¢Â ÄŒÁ¢§¾Å¢ «Ç¢ò¾ Á¡É¡¸¢Â ÅûÇ¢ («Ó¾ÅøÄ¢) «¨½ó¾ ¾¢Õô ÒÂò¨¾ ¯¨¼ÂŧÉ, ¾£Ã§É, ºí¸Ãò ¾¢Â¡¸÷ ±ýÛõ ¿¡Áõ ¯¨¼Â º¢Å ¦ÀÕÁ¡ý ÅóÐ ±Øó¾ÕǢ ¾¢Õ ¿øæ÷*** ±ýÛõ ¾Äò¾¢ø ¦À¡Õó¾¢ Å£üÈ¢Õ츢ýÈ ¾õÀ¢Ã¡§É.




  * þíÌ º¢Å§Â¡¸ Өȸû Å¢Çì¸ôÀðÎûÇÉ.
    «¾ý ÍÕì¸õ ÅÕÁ¡Ú:

¿¡õ ¯ûÙìÌ þØìÌõ ¸¡üÚìÌô 'âøõ' ±ýÚõ, ¦ÅǢŢÎõ ¸¡üÚìÌ '§Ãº¸õ' ±ýÚõ ¦ÀÂ÷. ¯û§Ç ¿¢Úò¾¢¨Åì¸ôÀÎõ ¸¡üÚìÌ 'ÌõÀ¸õ' ±ýÚ ¦ÀÂ÷. ¯ð ¦¸¡ûÙõ À¢Ã¡½Å¡Ô ¯¼Ä¢ø ÌÈ¢ôÀ¢ð¼ '¬¾¡Ãí¸û' (¿¢¨Ä¸û, ºì¸Ãí¸û) ãÄÁ¡¸ô ÀÊôÀÊ¡¸ô ÀÃÅ¢, §Áø §¿¡ì¸¢î ¦ºýÚ, ¾¨Ä¢ø 'À¢ÃÁ ¸À¡Ä'ò¾¢ø ¯ûÇ '…†ŠÃ¡Ãõ' (À¢óÐ ºì¸Ãõ) ±ýÈ ºì¸ÃòÐìÌî ¦ºøÖõ. þó¾ ³ì¸¢Âõ ²üÀÎõ§À¡Ð, «Ó¾ ºì¾¢ À¢ÈóÐ, ¬Ú ¬¾¡Ãí¸ÙìÌõ °ð¼ôÀðÎ, Á£ñÎõ «§¾ ÅÆ¢Â¢ø 'ãÄ¡¾¡Ã'ò¨¾ ÅóÐ «¨¼Ôõ. þó¾ ¬¾¡Ãí¸¨Ç ´ØíÌ ÀÎòÐõ Ũ¸Â¢ø ãýÚ 'Áñ¼Ä'í¸Ùõ («ì¸¢É¢, ¬¾¢ò¾, ºó¾¢Ã Áñ¼Äí¸û), ÀòÐ '¿¡Ê'¸Ùõ (þ¨¼¸¨Ä, À¢í¸¨Ä, ÍØÓ¨É Ó¾Ä¢ÂÉ) ¯ûÇÉ.

'þ¨¼¸¨Ä' ÀòÐ ¿¡Ê¸Ùû ´ýÚ. þ¼Ð ¿¡º¢Â¡ø Å¢Îõ ÍÅ¡ºõ.

'À¢í¸¨Ä' ÀòÐ ¿¡Ê¸Ùû ´ýÚ. ÅÄÐ ¿¡º¢ ÅÆ¢Â¡ø Å¢Îõ ÍÅ¡ºõ.

'ÍØ Ó¨É' þ¨¼¸¨ÄìÌõ À¢í¸¨ÄìÌõ þ¨¼Â¢ø ¯ûÇÐ.

'ÍØ Ó¨É' ¬¾¡Ãõ ¬È¢Öõ °ÎÕÅ¢ ¿¢üÀÐ. 'þ¨¼¸¨Ä'Ôõ, 'À¢í¸¨Ä'Ôõ ´ýÚ즸¡ýÚ À¢ýÉ¢ ¿¢üÀÉ.

ÍÅ¡º ¿¼ô¨À 'ôὡ¡Áõ' ±ýÈ §Â¡¸ Åý¨Á¡ø ¸ðÎôÀÎò¾¢É¡ø ÁÉ «¨Á¾¢ ²üÀÎõ.




    ¬¾¡Ãí¸Ç¢ý ¦ÀÂ÷¸Ùõ, ¯¼Ä¢ø þÕìÌõ þ¼õ, ¯¡¢Â ³õâ¾í¸û, «ÛðÊìÌõ§À¡Ð
    ÁÄ÷ ÅÊÅí¸Ç¢ý «¨ÁôÒ, «‡Ãì ÌÈ¢ôÒ ¬¸¢Â¨Å ¸£§Æ ¾ÃôÀðÎûÇÉ.
    §ÁÖõ þó¾ ¬¾¡Ãí¸ÙìÌ ¯¡¢Â ¾Äí¸û, ¸¼×Ç÷¸û ¦ÀÂ÷¸Ùõ ¦¸¡Îì¸ôÀðÎûÇÉ.


¬¾¡Ãõ


þ¼õ


â¾õ


ÅÊÅõ


«‡Ãõ


¾Äõ


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4 þ¾ú ¸ÁÄõ
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6 þ¾ú ¸ÁÄõ
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À¢ÃÁý

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10 þ¾ú ¸ÁÄõ
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Å¢Íò¾¢

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 (¸Ãõ)

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(šý¡º¢)

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À¢óÐ ºì¸Ãõ
(ÐÅ¡¾º¡ó¾õ,
…†ŠÃ¡Ãõ,
À¢ÃÁÃó¾¢Ãõ)

¸À¡Äò¾¢ý
§Á§Ä

 

1008
þ¾ú ¸ÁÄõ

 

¾¢Õì¸Â¢¨Ä

º¢Å . ºì¾¢
³ì¸¢Âõ



  ** º¢ÅÉ¢ý ±ñ ̽í¸û:


1.  ¾ýÅÂò¾É¡¾ø,
2.  à ¯¼õÀ¢Éý ¬¾ø,
3.  þÂü¨¸ ¯½÷Å¢Éý ¬¾ø,
4.  ÓüÚõ ¯½÷¾ø,
5.  þÂøÀ¡¸§Å À¡ºí¸Ç¢É¢ýÚ ¿£í̾ø,
6.  §ÀÃÕû ¯¨¼¨Á,
7.  ÓÊŢġ ¬üÈø ¯¨¼¨Á,
8.  ÅÃõÀ¢Ä¡ þýÀõ ¯¨¼¨Á.





*** ¾¢Õ¿øæ÷ô ¦ÀÕÁ½õ, º¢¾õÀÃò¾¢Ä¢ÕóÐ 3 ¨ÁÄ¢ø ¯ûÇ ¦¸¡ûÇ¢¼òÐìÌ «Õ¸¢ø ¯ûÇÐ. ºí¸Ãò ¾¢Â¡¸÷ ±ýÀÐ ¾¢Õ¿øæ÷ º¢Å¦ÀÕÁ¡É¢ý ¾¢Õ¿¡Áõ.





Song 762 - mUla muNdaganu bUdhi (thirunallUr)

mUla muNdakanu pUthi manthirapa
     rApa ranjudarkaL mUNu maNdalaa
          thAra santhimuka mARu minthratharu vunthaLAmEl

mUthu rampalavar peeta manthamumi
     lAtha panthavoLi yAyi rangiraNa
          mUNu minthuvoLir sOthi viNpadika vinthunAtham

Ola menRupala thALa santhamidu
     sEvai kaNdamuthai vAri yuNdulaki
          rEzhu kaNduviLai yAdi yinthukathi rangicUlam

Odu manthakali kAlo dunganadu
     thUNil thangavari njAna vaNkayiRu
          meetha Nainthusatha kOdi chanthravoLi santhiyAthO

cUli yantharika pAli sangaripu
     rAri yampariku mAri yeNkuNasu
          vAmi pangisiva kAma sunthariyu kanthasEyE

cUra sangaraku mAra inthirasa
     kAya anparupa kAra suntharaku
          kAe numcuruthi yOla monRanada namkoLvElA

seela veNpodiyi dAtha venjamaNar
     mALa vengazhuvi lERu menRupodi
          neeRi dungamala pANi santhramuka kanthavELE

thEva rampaiyamu theeNa mangaitharu
     mAna Nainthapuya theera sangarathi
          yAkar vanthuRaina lUra marnthuvaLar thampirAnE.

......... Meaning .........

mUla muNdakam anupUthi manthira parAparam chudarkaL mUNu maNdala (A)thAra santhi mukam ARum inthra tharuvum thaLAmEl: The ManthrA that resides in the Fundamental ChakrA (MUlAthAram) and that carries the blissful experience of remaining in that ChakrA, the three great effulgences, (namely the sun, the moon and the fire), the three zones in the milky way, the six fundamental and causal chakrAs* and the wish-yielding kaRpagA tree (symbolising the Supreme Path of Siva) are surpassed by the mind which transcends all that;

mUthura ampalavar peedam anthamum ilAtha pantha oLi Ayiram kiraNa mUNum inthu oLir sOthi viN padika vinthu nAtham Olam enRu pala thALa santham idu sEvai kaNdu amuthai vAri uNdu: it travels up to the old stage (lalAta maNdapam where all tenets surrender) in which there is an endless and dense effulgence in the shape of the crescent moon of the third phase emitting a thousand rays, seated in the AgnyA ChakrA; mingling with the moonlight on the upper stratum shining like marble, the mind sees the Union of Siva and Sakthi against the background music, sounding like a fervent appeal seeking refuge, interspersed with a variety of resonant beats and has the vision of the Cosmic Dance, imbibing the sea of nectar;

ulaku eer Ezhu kaNdu viLaiyAdi inthu kathir angi cUlam Odum antha kalikAl odunga nadu thUNil thanga vari njAna vaN kayiRu meethu aNainthu satha kOdi chanthira oLi santhiyAthO: seeing all the fourteen worlds in the minutest detail over there and experiencing them, witnessing the trident-like passage of inhaled air (oxygen) through three veins (namely, cuzhumunai, idaikalai and pingalai) representing respectively the sun, the moon and the fire, and subsequent by holding that air in the spinal-cord that looks like the stem of the veeNA; eventually, that air embraces, and winds up through, the rope of cuzhumunai, rich in knowledge and encounters a luminosity equivalent to a hundred million moons (the great effulgence of Siva); will I ever be able to attain that blissful state?

cUli anthari kapAli sangari purAri ampari kumAri eN kuNa suvAmi pangi sivakAmi sunthari ukantha sEyE: She holds in Her hand the trident; She has the shape of the cosmic sky; She is the spouse of Sankara who holds the skull in His hand; She is the one who burnt down Thiripuram; while burning Thiripuram, She served as the arrow in the form of VaishNavi; She is for ever youthful; She is concorporate on the left side of Lord SivA, who is endowed with eight Divine Characterestics**; She is SivagAma Sundhari (PArvathi) and You elate Her as Her child, Oh Lord!

cUra sangara kumAra inthira sakAya anpar upakAri sunthara kukA enum suruthi Olam onRa nadanam koL vElA: You dance merrily as the VEdAs fervently appeal to You praying "Oh Lord KumarA, You destroyed the demon SUran! You helped Indra, the leader of the celestials! You come to the aid of Your devotees! Oh Handsome GuhA!", Oh Lord with the spear!

seela veN podi idAtha vem samaNar mALa vem kazhuvil ERum enRu podi neeRu idum kamala pANi chanthira muka kantha vELE: Those evil samaNAs who refused to wear the holy white ash were sent to die on the dreadful gallows when You performed a miracle (coming as ThirugnAna Sambandhar); and You distributed the holy ash (to King PANdiyan with a hunch-back and other devotees) with Your lotus hand, Oh Lord KandhA with (six) moon-like faces!

thEva rampai amuthu eeNa mangai tharu mAn aNaintha puya theera sangara thiyAkar vanthu uRai na(l)lUr* amarnthu vaLar thampirAnE.: She is like the Celestial beauty, Rambai; She was born in the milky ocean along with nectar; that Goddess Lakshmi gave birth to a deer-like damsel, VaLLi (Amuthvalli), who embraced Your hallowed shoulders, Oh Valorous One! You are seated in this town ThirunallUr*** where Lord SivA has assumed the name of Sankara ThyAgar, Oh Great One!




  * In this song, several Siva-yOgA principles are explained:

The inhaled air is known as 'pUragam' and the exhaled air is 'rechagam'. The retained air is 'kumbagam'. The oxygen that enters the body climbs up step by step through several centres, known as 'chakrAs' and ultimately reaches 'sahasrAram' or 'bindhuchakram' on the top of the skull. At that point of union, nectar flows from that chakrA and seeps through and soaks the six centres of the body and returns to the basic chakrA, 'mUlAthAram'. Three zones (namely, the sun zone, the moon zone and the fire zone) and ten nerves ('nAdis') govern the six centres; the principal nerves are 'susumna', 'idaikala' and 'pingala'.

idakala: one of the ten 'nAdis' (nerves), when inhalation takes place through the left nostril;
pingala: one of the ten 'nAdis' (nerves), when inhalation takes place through the right nostril;
susumna: one of the ten 'nAdis' (nerves), situated between the above two 'nadis', and running through the spinal chord covering all the six centres of 'kundalini'. ('idakala' and 'pingala' are entwined around 'susumna').

If breathing is controlled through a yOgA called 'praNAyAmA', the mind becomes tranquil.




    The names of the chakrA centres, the deities, the elements, the zones of the body
    where they are located, the shape of the chakrAs, the description of the flowers in the
    chakrAs, the letters of the ManthrA governing them and the temple-towns representing
    them are given in the following chart:


ChakrA


Body Zone


Element


Shape


Letter


Temple


Deity


mUlAthAram

Genitals

Earth

4-petal lotus
Triangle

Om

ThiruvArUr

VinAyagar

swAthishtAnam

Belly-button

Fire

6-petal lotus
Lingam - Square

na

ThiruvAnaikkA

BrahmA

maNipUragam

Upper belly

Water

10-petal lotus
cobra in box
central circle

ma

ThiruvaNNAmalai

Vishnu

anAgatham

Heart

Air

12-petal lotus
Triangle lotus circle

si

Chidhambaram

RUdhran

visudhdhi

Throat

Sky

16-petal lotus
Hexagon

va

ThirukkALaththi

MahEswaran

AgnyA

Between the
eyebrows

Mind

3-petal lotus

ya

VaranAsi (kAsi)

SathAsivan

Bindu chakkaram
(DhwAdhasAntham,
SahasrAram,
Brahma-ranthiram)


Over the skull

 

1008-petal
lotus

 

Mount KailAsh

Siva-Sakthi
Union



  * The eight characterestics of God are as follows:


     1. Peerless -Superiorless- Self-absorbing
     2. Always in Chaste form
     3. Natural-Sensed
     4. Omniscient
     5. By nature, bondless
     6. Height of Grace
     7. Omnipotent
     8. Limitlessly Blissful.





*** ThirunallUrp PerumaNam, is a town near KoLLidam, three miles away from Chidhambaram. Lord SivA in ThirunallUr is known as Sankara ThyAgar.


  (0651-0000-4280_000CA)*fxm




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