Sri AruNagirinAthar
Kaumaram Logo

the website for
Lord Murugan's devotees

‚ «Õ½¸¢¡¢¿¡¾÷
«ÕÇ¢Â
¾¢ÕôÒ¸ú

Sri AruNagirinAthar's
Thiruppugazh


Kaumara_chellam   

‚ «Õ½¸¢¡¢¿¡¾¡¢ý
¾¢ÕôÒ¸ú - À¡¼ø 471
¸ðÊ Óñ¼¸
(º¢¾õÀÃõ)

song 471
katti muNdaga
(chidhambaram)


Sri Gopala Sundaram
Sri Gopala Sundaram


¾Á¢Æ¢Öõ ¬í¸¢Äò¾¢Öõ
¦À¡Õû ±Ø¾¢ÂÐ
‚ §¸¡À¡Ä Íó¾Ãõ

Meanings in
Tamil and English by
Sri Gopala Sundaram



templetemple


previous
'Á¾¡½¢' ±ñ Å¡¢¨ºìÌ«¸ÃÅ¡¢¨ºìÌ


next

 ´Ä¢ôÀ¾¢×ìÌ 
mp3



á¸õ ... Ó¸¡¡¢
¾¡Çõ ... ¬¾¢ 4 ¸¨Ç (32)
¾¸¢¼ ..1 1/2, ¾¸¢¼ ..1 1/2, ¾¸ ..1

¾ò¾ ¾ó¾¾É ¾¡É ¾ó¾¾É
     ¾ò¾ ¾ó¾¾É ¾¡É ¾ó¾¾É
          ¾ò¾ ¾ó¾¾É ¾¡É ¾ó¾¾É ...... ¾É¾¡É

......... À¡¼ø .........

¸ðÊ Óñ¼¸Ã À¡Ä¢ Âí¸¢¾¨É
     ÓðÊ Âñ¼¦Á¡Î ¾¡Å¢ Å¢óЦšĢ
          ¸ò¾ Áó¾¢ÃÅ ¾¡É ¦ÅñÒÃÅ¢ ...... Á¢¨º§ÂÈ¢ì

¸üÀ ¸ó¦¾ÕÅ¢ø Å£¾¢ ¦¸¡ñÎͼ÷
     ÀðÊ Áñ¼ÀÓ ¼¡Ê ¢óЦšÎ
          ¸ðÊ Å¢óÐÀ¢º ¸¡Áø ¦Åñ¦À¡Ê¦¸¡ ...... ¼¨ºÂ¡Áü

¸ðÎ ¦ÅõÒÿ¢ È¡¸ Ţ墨¦¸¡Î
     ¾òÐ Åí¸ûÅ¢Æ º¡Ê ¦Âñ̽Å÷
          ¦º¡÷ì¸õ ÅóШ¸Ô Ç¡¸ ±ó¨¾À¾ ...... ÓȧÁÅ¢ò

Ðì¸õ ¦ÅóÐÅ¢Æ »¡É ÓñÎÌÊø
     Å Ãí¸¦ÇÉ §ÁÉ¢ ¾í¸ÓÈ
          Íò¾ ¸õÒ̾ §Å¾ Ţ󨾦¡Π...... Ò¸ú§Å§É¡

±ðÊ ÃñÎÁÈ¢ ¡¾ ±ý¦ºÅ¢Â¢
     ¦ÄðÊ ÃñÎÁ¢Ð Å¡Á¢ Ä¢í¸¦ÁÉ
          ±ðÊ ÃñÎõ¦ÅÇ¢ ¡¦Á¡ Æ¢ó¾ÌÕ ...... ÓÕ§¸¡§É

±ðÊ Ãñξ¢¨º §Â¡¼ ¦ºíÌÕ¾¢
     ¦ÂðÊ ÃñÎÓÕ Å¡¸¢ Åﺸ÷¦Á
          ¦ÄðÊ Ãñξ¢¨º §Â¡÷¸û ¦À¡ýȫ¢ø ...... ŢΧš§É

¦ºðÊ ¦ÂýÚº¢Å ¸¡Á¢ ¾ýÀ¾¢Â¢ø
     ¸ðÎ ¦ºí¨¸Å¨Ç ÜÚ ¦Áó¨¾Â¢¼
          º¢ò¾ ÓíÌǢà ¿¡¾¢ Åñ¦À¡Õ¨Ç ...... ¿Å¢ø§Å¡§É

¦ºðÊ ¦ÂýÚÅÉ §ÁÅ¢ ¢ýÀú
     ºò¾¢ ¢ý¦ºÂÄ¢ É¡¨Ç ÂýÒÕ¸
          ¦¾ðÊ ÅóÐÒÄ¢ ä¡¢ý ÁýÚûÅÇ÷ ...... ¦ÀÕÁ¡§Ç.

......... ¦º¡ø Å¢Çì¸õ .........

¸ðÊ ... À¢Ã¡½ šԨŠ(À¡Æ¢ø µ¼ Å¢¼¡Áø) «¾ý ¿¢¨Ä¢ø À¢ÊòÐì ¸ðÊ (*1),

Óñ¼¸ «ÃÀ¡Ä¢ «í¸¢¾¨É ÓðÊ ... ãÄ¡¾¡Ã (*2) ¸ÁÄò¾¢ÖûÇ «Õû À¡Ä¢ìÌõ º¢Å¡ì¸¢É¢¨Â ãñÎ ±Æî ¦ºöÐ,

«ñ¼¦Á¡Î ¾¡Å¢ ... «ñ¼Á¡¸¢Â ¸À¡Ä À¡¢Âó¾õ (À¢ÃÁÃó¾¢Ãõ ŨÃ) ¾¡Åî ¦ºöÐ,

Å¢óÐ ´Ä¢ ¸ò¾ ... Å¢óÐ ¿¡¾õ (º¢Å - ºì¾¢ ³ì¸¢Âõ) §¾¡ýÈ¢ ÓÆí¸,

Áó¾¢Ã «Å¾¡É ¦Åñ ÒÃÅ¢ Á¢¨º ²È¢ ... º¢ÈôÀ¡¸ì ¸ð¼ôÀð¼ ܼò¾¢ø Áó¾¢ÃÁÂÁ¡¸ ¿¢üÌõ ¦Åñ¨Áì ̾¢¨Ã¢ý (*3) §Áø ²È¢,

¸üÀ¸ «õ ¦¾ÕÅ¢ø Å£¾¢ ¦¸¡ñÎ ... ¸üÀ¸ò ¾Õ¨Åô §À¡ø Å¢ÕõÀ¢Â¨¾ «Ç¢ì¸ ÅøÄ «Æ¸¢Â §Á¨Äî º¢Å Å£¾¢Â¢ø «ó¾ Á¡Âì ̾¢¨Ã¨Â §¿Ã¡¸ µ¼î ¦ºÖò¾¢,

ͼ÷ ÀðÊ Áñ¼Àõ °¼¡Ê ... ±øÄ¡ ¾òÐÅí¸Ùõ ´ýÚÀÎõ ´Ç¢ÁÂÁ¡É ÄÄ¡¼Áñ¼Àò¾¢ø (*4) ¦ºýȨ¼óÐ, (¾¢Â¡Éõ, À¢Ãò¡¸Ã½õ, ¾¡Ã¨½ ӾĢÂ) §Â¡¸ô À¢üº¢¸¨Çô ÀƸ¢ (*5),

þóЦšΠ¸ðÊ Å¢óÐ À¢º¸¡Áø ... ºó¾¢Ã ¸¨Ä ºÄ¢Â¡ÁÖõ, Å¢óÐ ¸ÆÄ¡ÁÖõ ¯Ú¾¢ ¦ÀÈì ¸ðÊ,

¦Åñ ¦À¡Ê ¦¸¡Î «¨ºÂ¡Áø ... «ó¾ ¦Åñ½£ü¨È «½¢óЦ¸¡ñÎ «¨ºÂ¡Áø ¿¢ýÚ,

ÍðÎ ¦Åõ ÒÃõ ¿£Ú ¬¸ Ţ墨 ¦¸¡Î ... ¾¢¡¢ÒÃÁ¡¸¢Â (¬½Åõ, ¸ýÁõ, Á¡¨Â ±ýÈ) ÓõÁÄí¸Ùõ ¦ÅóÐ ¿£È¡ÌõÀÊ ÍðÎ, «‰¼Á¡º¢òРŢò¨¾¸û (*6) ±øÄ¡õ ¨¸ÅÃô ¦ÀüÚ,

¾òÐÅí¸û Å¢Æî º¡Ê ... ¾òÐÅ §º‰¨¼¸û ±øÄ¡õ §ÅÃüÚ Å¢ØõÀÊ «Æ¢òÐ,

±ñ ̽Å÷ ¦º¡÷ì¸õ ÅóÐ ¨¸Ôû ¬¸ ... ±ñ̽ÅḢ (*7) º¢Å¦ÀÕÁ¡Û¨¼Â À¾Å¢ ¨¸ ÜÊ ÅóÐ º¢ò¾¢ì¸,

±ó¨¾ À¾õ ¯È §ÁÅ¢ ... «îº¢ÅÀ¾Å¢Â¢ø ¿¢¨Ä ¦ÀüÚô ¦À¡Õó¾¢,

Ðì¸õ ¦ÅóÐ Å¢Æ »¡Éõ ¯ñÎ ... À¢ÈÅ¢ò ÐýÀõ ¦ÅóÐ ¿£È¡¸¢ ´Æ¢Â, »¡É¡Á¢÷¾ À¡Éõ ÌÊòÐ,

ÌÊø ÅÃí¸û ±É §ÁÉ¢ ¾í¸õ ¯È ... §¾¸õ ňà ¸¡ÂÁ¡¸×õ, ¿¢Èõ ¾í¸õ §À¡Ä×õ Á¡üÈ¢,

Íò¾ «¸õ Ò̾ §Å¾ Ţ󨾦¡ΠҸú§Å§É¡ ... à Óì¾¢ ܼ, Å¢º¢ò¾¢ÃÁ¡É §Å¾îºó¾òмý ¯ÉÐ ¾¢ÕôÒ¸¨Æô À¡Î§Å§É¡?

±ðÎ þÃñÎõ «È¢Â¡¾ ±ý ¦ºÅ¢Â¢ø ... ±ðÎõ þÃñÎõ ÀòÐ ±ýÀ¨¾Ôõ ¦¾¡¢Â¡¾ ±ý ¸¡Ð¸Ç¢ø

±ðÎõ þÃñÎõ þÐ ¬õ þÄ¢í¸õ ±É ... þ¨Å§Â º¢Åì ÌȢ¡¸¢Â þÄ¢í¸õ (*8) ±ýÚ

±ðÎ þÃñÎõ ¦ÅǢ¡ ¦Á¡Æ¢ó¾ ÌÕ ÓÕ§¸¡§É ... «ó¾ «¸¡Ã ¯¸¡Ã Á¸¡Ã (*9) þÄì¸½í¸¨Çò ¦¾Ç¢Å¡¸ ¯À§¾º¢ò¾ ÌÕÅ¡É ÓÕ§¸¡§É,

±ðÎ þÃñÎ ¾¢¨º µ¼ ¦ºõ ÌÕ¾¢ ... ±ðÎò ¾¢¨º¸Ç¢Öõ, þó¾ «ñ¼ò¾¢ý ¸£Øõ §ÁÖÁ¡¸, ÀòÐ ¾¢ì̸ǢÖõ º¢ÅôÒ ¿¢È þÃò¾õ µÎõÀÊ

±ðÎ þÃñÎõ ¯ÕÅ¡¸¢ Åﺸ÷ ¦Áø ... À¾¢É¡Ú Ũ¸ (*10) ¯ÕÅò ¾¢Õ§ÁÉ¢ Å¢Çí¸ (À¡º¨È¢ø þÕóÐ), Åﺸ÷¸Ç¡¸¢Â «ÍÃ÷¸Ç¢ý Á£Ðõ

±ðÎ þÃñÎ ¾¢¨º§Â¡÷¸û ¦À¡ýÈ «Â¢ø ŢΧš§É ... À¢ýÛõ ÀòÐò ¾¢¨º «ñ¼í¸Ç¢ø þÕó¾ «ÍÃ÷¸û Á£Ðõ «Å÷¸û «Æ¢Â §Å¨Ä Å¢ÎÀŧÉ,

¦ºðÊ ±ýÚ º¢Å¸¡Á¢ ¾ý À¾¢Â¢ø ... ŨÇÂø ¦ºðÊ ÅʦÅÎòÐ, º¢Å¸¡Á¢ «í¸Âü ¸ñ½¢Â¡ö Å£üÈ¢ÕìÌõ ÁШâø,

¸ðÎ ¦ºõ ¨¸ Å¨Ç ÜÚõ ±ó¨¾ þ¼ (õ) ... ¨¸¸û º¢Åì¸, ŨÇÂø¸¨Ç «Î츢 Å¢¨Ä Ü颃 ±ó¨¾ º¢Å¦ÀÕÁ¡Û¨¼Â

º¢ò¾Óõ ÌǢà «¿¡¾¢ Åñ ¦À¡Õ¨Ç ¿Å¢ø§Å¡§É ... ÁÉÓõ ÌÇ¢ÕõÀÊ ¬¾¢ÂüÈÐõ, ÅǨÁ¡ÉÐÁ¡É ãÄô À¢Ã½Åô ¦À¡Õ¨Ç ¯À§¾º¢ò¾Å§É,

¦ºðÊ ±ýÚ ÅÉõ §ÁÅ¢ ... ŨÇÂø ¦ºðÊ¢ý §Å¼òмý ¿£Ôõ ÅûÇ¢Á¨Äî º¡ÃÄ¢ø ¾¢¨É ÅÉòÐìÌî ¦ºýÚ,

þýÀÃºî ºò¾¢Â¢ý ¦ºÂø þ (ý) É¡¨Ç «ýÒ ¯Õ¸ ... «í§¸ þ ºì¾¢ ÁÂÁ¡É ÅûÇ¢ ¿¡Â¸¢¨Â «ýÒ ¸É¢óÐ

¦¾ðÊ ÅóÐ ÒĢ䡢ø ÁýÚû ÅÇ÷ ¦ÀÕÁ¡§Ç. ... «À¸¡¢òÐ ÅóÐ, º¢¾õÀÃò¾¢ø ¦À¡ý «õÀÄò¾¢ø Å¢ÇíÌõ ¦ÀÕÁ¡§Ç.




  (*1) þíÌ º¢Å§Â¡¸ Өȸû Å¢Çì¸ôÀðÎûÇÉ.
    «¾ý ÍÕì¸õ ÅÕÁ¡Ú:

¿¡õ ¯ûÙìÌ þØìÌõ ¸¡üÚìÌô 'âøõ' ±ýÚõ, ¦ÅǢŢÎõ ¸¡üÚìÌ '§Ãº¸õ' ±ýÚõ ¦ÀÂ÷. ¯û§Ç ¿¢Úò¾¢¨Åì¸ôÀÎõ ¸¡üÚìÌ 'ÌõÀ¸õ' ±ýÚ ¦ÀÂ÷. ¯ð ¦¸¡ûÙõ À¢Ã¡½Å¡Ô ¯¼Ä¢ø ÌÈ¢ôÀ¢ð¼ '¬¾¡Ãí¸û' (¿¢¨Ä¸û, ºì¸Ãí¸û) ãÄÁ¡¸ô ÀÊôÀÊ¡¸ô ÀÃÅ¢, §Áø §¿¡ì¸¢î ¦ºýÚ, ¾¨Ä¢ø 'À¢ÃÁ ¸À¡Ä'ò¾¢ø ¯ûÇ '…†ŠÃ¡Ãõ' (À¢óÐ ºì¸Ãõ) ±ýÈ ºì¸ÃòÐìÌî ¦ºøÖõ. þó¾ ³ì¸¢Âõ ²üÀÎõ§À¡Ð, «Ó¾ ºì¾¢ À¢ÈóÐ, ¬Ú ¬¾¡Ãí¸ÙìÌõ °ð¼ôÀðÎ, Á£ñÎõ «§¾ ÅÆ¢Â¢ø 'ãÄ¡¾¡Ã'ò¨¾ ÅóÐ «¨¼Ôõ. þó¾ ¬¾¡Ãí¸¨Ç ´ØíÌ ÀÎòÐõ Ũ¸Â¢ø ãýÚ 'Áñ¼Ä'í¸Ùõ («ì¸¢É¢, ¬¾¢ò¾, ºó¾¢Ã Áñ¼Äí¸û), ÀòÐ '¿¡Ê'¸Ùõ (þ¨¼¸¨Ä, À¢í¸¨Ä, ÍØÓ¨É Ó¾Ä¢ÂÉ) ¯ûÇÉ.

'þ¨¼¸¨Ä' ÀòÐ ¿¡Ê¸Ùû ´ýÚ. þ¼Ð ¿¡º¢Â¡ø Å¢Îõ ÍÅ¡ºõ.

'À¢í¸¨Ä' ÀòÐ ¿¡Ê¸Ùû ´ýÚ. ÅÄÐ ¿¡º¢ ÅÆ¢Â¡ø Å¢Îõ ÍÅ¡ºõ.

'ÍØ Ó¨É' þ¨¼¸¨ÄìÌõ À¢í¸¨ÄìÌõ þ¨¼Â¢ø ¯ûÇÐ.

'ÍØ Ó¨É' ¬¾¡Ãõ ¬È¢Öõ °ÎÕÅ¢ ¿¢üÀÐ. 'þ¨¼¸¨Ä'Ôõ, 'À¢í¸¨Ä'Ôõ ´ýÚ즸¡ýÚ À¢ýÉ¢ ¿¢üÀÉ.

ÍÅ¡º ¿¼ô¨À 'ôὡ¡Áõ' ±ýÈ §Â¡¸ Åý¨Á¡ø ¸ðÎôÀÎò¾¢É¡ø ÁÉ «¨Á¾¢ ²üÀÎõ.




    (*2) ¬¾¡Ãí¸Ç¢ý ¦ÀÂ÷¸Ùõ, ¯¼Ä¢ø þÕìÌõ þ¼õ, ¯¡¢Â ³õâ¾í¸û, «ÛðÊìÌõ§À¡Ð
    ÁÄ÷ ÅÊÅí¸Ç¢ý «¨ÁôÒ, «‡Ãì ÌÈ¢ôÒ ¬¸¢Â¨Å ¸£§Æ ¾ÃôÀðÎûÇÉ.
    §ÁÖõ þó¾ ¬¾¡Ãí¸ÙìÌ ¯¡¢Â ¾Äí¸û, ¸¼×Ç÷¸û ¦ÀÂ÷¸Ùõ ¦¸¡Îì¸ôÀðÎûÇÉ.


¬¾¡Ãõ


þ¼õ


â¾õ


ÅÊÅõ


«‡Ãõ


¾Äõ


¸¼×û


ãÄ¡¾¡Ãõ

̾õ

Áñ

4 þ¾ú ¸ÁÄõ
Ó째¡½õ

µõ

¾¢ÕÅ¡å÷

Å¢¿¡Â¸÷

ÍÅ¡¾¢‰¼¡Éõ

¦¸¡ôâú

«ì¸¢É¢

6 þ¾ú ¸ÁÄõ
Ä¢í¸À£¼õ
¿¡ü ºÐÃõ

¿ (¸Ãõ)

¾¢ÕÅ¡¨É측

À¢ÃÁý

Á½¢âøõ

§ÁøÅ¢Ú

¿£÷

10 þ¾ú ¸ÁÄõ
¦ÀðÊôÀ¡õÒ
¿Î Åð¼õ

Á (¸Ãõ)

¾¢Õ(Å)
«ñ½¡Á¨Ä

¾¢ÕÁ¡ø

«¿¡¸¾õ

þÕ¾Âõ

¸¡üÚ

12 þ¾ú ¸ÁÄõ
Ó째¡½õ
¸ÁÄ Åð¼õ

º¢ (¸Ãõ)

º¢¾õÀÃõ

Õò¾¢Ãý

Å¢Íò¾¢

¸ñ¼õ

¬¸¡Âõ

16 þ¾ú ¸ÁÄõ
¬Ú §¸¡½õ
¿Î Åð¼õ

Å (¸Ãõ)

¾¢Õ측Çò¾¢

Á§¸ÍÃý

¬ì»¡

ÒÕÅò¾¢ý ¿Î

ÁÉõ

3 þ¾ú ¸ÁÄõ

 (¸Ãõ)

¸¡º¢
(šý¡º¢)

º¾¡º¢Åý

À¢óÐ ºì¸Ãõ
(ÐÅ¡¾º¡ó¾õ,
…†ŠÃ¡Ãõ,
À¢ÃÁÃó¾¢Ãõ)

¸À¡Äò¾¢ý
§Á§Ä

 

1008
þ¾ú ¸ÁÄõ

 

¾¢Õì¸Â¢¨Ä

º¢Å . ºì¾¢
³ì¸¢Âõ



    (*3) '¦Åû¨Çì ̾¢¨Ã' ÍØÓ¨É¡¸¢Â ¦Åû¨Ç ¿¡Ê¨Âì ÌÈ¢ìÌõ.

    (*4) 'ÄÄ¡¼ Áñ¼Àõ' ÒÕÅ Áò¾¢¨Âì ÌÈ¢ìÌõ. þíÌ 'ÍØÓ¨É', 'þ¨¼¸¨Ä', 'À¢í¸¨Ä'
    ¬¸¢Â ãýÚ ¿¡Ê¸Ùõ ÜΞ¡ø À¢Ã¸¡ºÁ¡É Áñ¼Àõ §¾¡ýÚõ.




  (*5) «‰¼¡í¸ §Â¡¸õ ±ýÈ ±ðΠŨ¸ §Â¡¸í¸û À¢ýÅÕÁ¡Ú:

1.   þÂÁõ - ¦À¡ö¡¨Á, ¦¸¡øÄ¡¨Á, ¾¢Õ¼¡¨Á, ¸¡ÓÈ¡¨Á, À¢È÷ ¦À¡Õû ¦Å·¸¡¨ÁÔ¼ý ÒÄý «¼ì̾ø.

2.   ¿¢ÂÁõ - ¾Åõ, àö¨Áò ¾òÐÅõ ¯½÷¾ø, ÒÉ¢¾õ, ¾¡Éõ, ¨ºÅ Өȸû, ¨ºÅ º¢ò¾¡ó¾ »¡Éõ, ¡¸õ.

3.   ¬ºÉõ - ¯¼Ä¡ø ¦ºöÔõ §Â¡¸ Өȸû - ÌÈ¢ôÀ¡¸ ÀòÁ, º¢õÁ, ÀòÃ, §¸¡Ó¸ ¬ºÉí¸û.

4.   ôὡ¡Áõ - §Ãº¸õ, ÌõÀ¸õ, âøõ ±ýÈ Å¨¸¸Ç¢§Ä ã «¼ì¸¢ ¬Ùõ Ó¨È.

5.   ôÃò¡†¡Ãõ - þ󾢡¢Âí¸¨Ç Å¢„Âí¸Ç¢Ä¢ÕóÐ ¾¢ÕôÀ¢, þ¨ÈÅ¨É ¯ûÓ¸Á¡¸ô À¡÷ò¾ø.

6.   ¾¡Ã¨½ - ÁÉò¨¾ ´Õ¿¢¨Äô ÀÎò¾¢ ÓÐÌ ¿¡Ê¢ÖûÇ ¬Ú ºìà ¬¾¡Ãí¸Ç¢Öõ þ¨ÈÅ¨É À¡Å¢ò¾ø.

7.   ¾¢Â¡Éõ - ³õÒÄý¸û, Àïº â¾í¸û, ÁÉõ, º¢ò¾õ ӾĢ «ó¾ì¸Ã½í¸û - þÅü¨È «¼ì¸¢ ¾¢Â¡É¢ò¾ø.

8.   ºÁ¡¾¢ - ÁÉò¨¾ô ÀÃõ¦À¡Õ§Ç¡Î ¿¢Úò¾¢ …†ŠÃ¡Ãò¾¢ø º¢Å ºì¾¢ ³ì¸¢Âò§¾¡Î ´ýÚÀ¼ø.

(¬¾¡Ãõ '¾¢ÕÁó¾¢Ãõ', ¾¢ÕãÄ÷ «ÕÇ¢ÂÐ).




  (*6) «‰¼Á¡º¢ò¾¢¸û À¢ýÅÕÁ¡Ú:


«½¢Á¡ - «ÏÅ¢Öõ º¢È¢Â ¯ÕÅ¢Éý ¬¾ø.
Á¸¢Á¡ - §ÁÕÅ¢Ûõ ¦À¡¢Â ¯ÕÅ¢Éý ¬¾ø.
¸¡¢Á¡ - ¬Ô¾í¸ÙìÌõ, ¬¸¡ÂòÐìÌõ, ¸¡ÄòÐìÌõ «ôÀ¡ø ¬¾ø.
ĸ¢Á¡ - ¬¸¡Â¸ÁÉõ, «ó¾Ãò¾¢ø þÕò¾ø.
À¢Ã¡ô¾¢ - Àà ¸¡Âí¸Ç¢ø Ò̾ø (ÜÎÅ¢ðÎ ÜÎÀ¡ö¾ø).
À¢Ã¡¸¡Á¢Âõ - ±øÄ¡ÅüÈ¢Öõ ¿¢¨Èó¾¢Õò¾ø.
®ºòÐÅõ - ±øÄ¡ÅüÚìÌõ ¿¡¾É¡¸ þÕò¾ø.
ź¢òÐÅõ - ±øÄ¡ þ¼í¸Ç¢Öõ þÕóР¡Åü¨ÈÔõ źôÀÎò¾ø.




  (*7) º¢ÅÉ¢ý ±ñ ̽í¸û:


1.  ¾ýÅÂò¾É¡¾ø,
2.  à ¯¼õÀ¢Éý ¬¾ø,
3.  þÂü¨¸ ¯½÷Å¢Éý ¬¾ø,
4.  ÓüÚõ ¯½÷¾ø,
5.  þÂøÀ¡¸§Å À¡ºí¸Ç¢É¢ýÚ ¿£í̾ø,
6.  §ÀÃÕû ¯¨¼¨Á,
7.  ÓÊŢġ ¬üÈø ¯¨¼¨Á,
8.  ÅÃõÀ¢Ä¡ þýÀõ ¯¨¼¨Á.




    (* 8) ¾Á¢Æ¢ø ±ðÎõ þÃñÎõ §º÷ó¾ ¦¾¡¨¸Â¡¸¢Â ÀòÐ, 'Â' ±ýÚ ±Ø¾ôÀÎõ.
    þó¾ ±ØòÐ '¿Áº¢Å¡Â' ±ýÈ ÀﺡðºÃò¾¢ý ¸¨¼º¢ ±ØòÐ.
    þÐ Ìñ¼Ä¢É¢ §Â¡¸ò¾¢ý '¬ì»¡' ºì¸Ãò¾¢ø þÃñÎ ÒÕÅ Áò¾¢Â¢ø ¯ûÇÐ.
    þ¾ý ¸¼×û 'º¾¡º¢Åý' - Ä¢í¸ ¯ÕÅò¾¢ø ¯ûÇ¡÷.

    (* 9) ¾Á¢Æ¢ø ±ðÎìÌ ¯¡¢Â ±ØòÐ '«'. þÃñÎìÌ ¯¡¢Â ±ØòÐ '¯'.
    þÅü§È¡Î 'þÃñÎõ' ±ýÈ Å¡÷ò¨¾Â¢ý ¸¨¼º¢ ±Øò¾¡¸¢Â 'õ' ±ýÈ ±Øò¨¾î
    §º÷ò¾¡ø '«+¯+õ'= 'µõ' ±ýÚ ¬¸¢ÈÐ.




  (*10) ÌÁ¡Ã ¾ó¾¢Ãõ ±ýÈ §¾¡ò¾¢Ãò¾¢ø ÓÕ¸ì ¸¼×Ç¢ý 16 ¾¢Õ×ÕŠŨ¸¸û ÜÈôÀθ¢ýÈÉ:


    1.  ºì¾¢¾Ã÷
    2.  Š¸ó¾÷
    3.  §¾Å§ºÉ¡¾¢À¾¢
    4.  ÍôÃÁ½¢Â÷
    5.  ¸ƒÅ¡¸É÷
    6.  ºÃŽÀÅ÷
    7.  ¸¡÷ò¾¢§¸Â÷
    8.  ÌÁ¡Ã÷
    9.  „ñÓ¸÷
  10. ¾¡Ã¸¡¡¢
  11. §…ɡɢ
  12. À¢ÃõÁº¡ŠòÕ
  13. ÅûÇ¢¸øÂ¡½Íó¾Ã÷
  14. À¡ÄŠÅ¡Á¢
  15. ¸¢¦ÃÇﺧÀ¾É÷
  16. º¢¸¢Å¡¸É÷.





Song 471 - katti muNdaga (chidhambaram)

katti muNdakara pAli angithanai
     mutti aNdamodu thAvi vindhu oli
          kaththa manthir avadhAna veNpuravi ...... misaiyERi

kaRpagam theruvil veedhi koNdu sudar
     patti mandapam udAdi indhu vodu
          katti vindhu pisagAmal veN podi kod ...... asaiyAmal

suttu vempura niRAga vinjai kodu
     thaththuvangaL vizha chAdi eNguNavar
          sorggam vandhu kaiyuL Aga endhai padham ...... uRamEvi

dhukkam vendhu vizha nyAnam uNdu kudil
     vajjirangaLena mEni thangam uRa
          sudhdhagam pugudha vEdha vindhaiyodu ...... pugazhvEnO

ettiraNdum aRiyAdha en seviyil
     ettiraNdum idhuvAm ilingamena
          ettiraNdum veLiyA mozhindha guru ...... murugOnE

ettiraNdu dhisai Oda senkurudhi
     ettiraNdum uruvAgi vanchakar mel
          ettiraNdu dhisaiyOrgaL pondra ayil ...... viduvOnE

chetti endru sivakAmi than padhiyil
     kattu sengkai vaLai kURum endhai ida
          chiththamum kuLir anAdhi vaN poruLai ...... navilvOnE

chetti endru vana mEvi inbarasa
     saththiyin seyalinALai anburuga
          thetti vandhu puliyUrin mandruL vaLar ...... perumALE.

......... Meaning .........

katti: (Not letting the pranic air -oxygen- to be dissipated and) holding it in its place (*1),

muNdakara pAli angithanai mutti: arousing the auspicious flame of SivA located in the lotus of MUlAdhara ChakrA (*2)

aNdamodu thAvi vindhu oli kaththa: making it leap right up to the cosmic zone (Brahamaranthiram), creating the union of SivA and Sakthi with a deafening sound,

manthir avadhAna veNpuravi misaiyERi: mounting the white horse (*3) that remains numinously standing in the hall specially built,

kaRpagam theruvil veedhi koNdu: driving that horse along the street of SivA that yields all wishes like the KaRpaga tree,

sudar patti mandapam udAdi: arriving at the plank called lalAtam (*4) where all tenets converge, practicing there many yOgA methods (*5) (such as DhyAnam, PrathyAkaraNam, DharaNai),

indhu vodu katti vindhu pisagAmal: carefully binding the breath so as to hold the nectar from the moon from spilling and the energy from slipping,

veN podi kod asaiyAmal: wearing the holy ash and standing still,

suttu vempura niRAga vinjai kodu: burning into ashes the three slags (thiripuram - represented by arrogance, karma and delusion), acquiring the eight siddhis (*6),

thaththuvangaL vizha chAdi: knocking down the mischief created by the ninetysix tenets,

eNguNavar sorggam vandhu kaiyuL Aga: attaining the heavenly pinnacle of SivA, the Lord of eight characterestics (*7),

endhai padham uRamEvi: remaining entrenched in that bliss of my Lord,

dhukkam vendhu vizha nyAnam uNdu: burning away the misery of birth, imbibing the nectar of true knowledge,

kudil vajjirangaLena mEni thangam uRa: turning my body into a solid diamond rock, changing my complexion into a golden hue,

sudhdhagam pugudha vEdha vindhaiyodu pugazhvEnO: and attaining pure liberation, will I be able to sing Your glory in an amazing Vedic meter?

ettiraNdum aRiyAdha en seviyil: Into my ears, a stupid fool who does not even know that eight and two make ten,

ettiraNdum idhuvAm ilingamena ettiraNdum veLiyA mozhindha guru murugOnE: You preached that those numbers are the symbols of SivA (*8) and further elucidated that they represent the PraNava ManthrA OM (*9), Oh Muruga, my Master!

ettiraNdu dhisai Oda senkurudhi: In all the ten directions (the usual eight directions, along with zenith and nadir, the top and the bottom of the celestial sphere), You let the red blood flow;

ettiraNdum uruvAgi vanchakar mel ettiraNdu dhisaiyOrgaL pondra ayil viduvOnE: You assumed sixteen postures (*10) and wielded the spear upon the treacherous demons in the battlefield and also those demons in many worlds situated in the ten directions, Oh Lord!

chetti endru sivakAmi than padhiyil: He assumed the appearance of a bangle-vendor and went around the streets of Madhurai ruled by AngayaRkaNNi (an incarnation of PArvathi);

kattu sengkai vaLai kURum endhai ida(m): He placed the bangles on the wrists of the Queen squeezing until they turned red and bargained for a price of the bangles; He is my Lord SivA;

chiththamum kuLir anAdhi vaN poruLai navilvOnE: to the cool content of His heart, You preached to Him the powerful principle of PraNava ManthrA, which is without a beginning, Oh Master!

chetti endru vana mEvi: You also assumed the appearance of a bangle-vendor and reached the forest in VaLLimalai;

inbarasa saththiyin seyalinALai anburuga: You fell deeply in love with VaLLi, representing the Divine Energy of desire;

thetti vandhu puliyUrin mandruL vaLar perumALE.: and then You abducted her, Oh Lord, and came to be seated in the golden shrine of Chidhambaram, Oh Great One!




  (*1) In this song, several Siva-yOgA principles are explained:

The inhaled air is known as 'pUragam' and the exhaled air is 'rechagam'. The retained air is 'kumbagam'. The oxygen that enters the body climbs up step by step through several centres, known as 'chakrAs' and ultimately reaches 'sahasrAram' or 'bindhuchakram' on the top of the skull. At that point of union, nectar flows from that chakrA and seeps through and soaks the six centres of the body and returns to the basic chakrA, 'mUlAthAram'. Three zones (namely, the sun zone, the moon zone and the fire zone) and ten nerves ('nAdis') govern the six centres; the principal nerves are 'susumna', 'idaikala' and 'pingala'.

idakala: one of the ten 'nAdis' (nerves), when inhalation takes place through the left nostril;
pingala: one of the ten 'nAdis' (nerves), when inhalation takes place through the right nostril;
susumna: one of the ten 'nAdis' (nerves), situated between the above two 'nadis', and running through the spinal chord covering all the six centres of 'kundalini'. ('idakala' and 'pingala' are entwined around 'susumna').

If breathing is controlled through a yOgA called 'praNAyAmA', the mind becomes tranquil.




    (*2) The names of the chakrA centres, the deities, the elements, the zones of the body
    where they are located, the shape of the chakrAs, the description of the flowers in the
    chakrAs, the letters of the manthrA governing them and the temple-towns representing
    them are given in the following chart:


ChakrA


Body Zone


Element


Shape


Letter


Temple


Deity


mUlAthAram

Genitals

Earth

4-petal lotus
Triangle

Om

ThiruvArUr

VinAyagar

swAthishtAnam

Belly-button

Fire

6-petal lotus
Lingam - Square

na

ThiruvAnaikkA

BrahmA

maNipUragam

Upper belly

Water

10-petal lotus
cobra in box
central circle

ma

ThiruvaNNAmalai

Vishnu

anAgatham

Heart

Air

12-petal lotus
Triangle lotus circle

si

Chidhambaram

RUdhran

visudhdhi

Throat

Sky

16-petal lotus
Hexagon

va

ThirukkALaththi

MahEswaran

AgnyA

Between the
eyebrows

Mind

3-petal lotus

ya

VaranAsi (kAsi)

SathAsivan

Bindu chakkaram
(DhwAdhasAntham,
SahasrAram,
Brahma-ranthiram)


Over the skull

 

1008-petal
lotus

 

Mount KailAsh

Siva-Sakthi
Union




    (*3) The 'white horse' represents the white 'nAdi', called 'susumna'.

    (*4) 'lalAtam' represents the region between the eye-brows. Here the three 'nAdis',
            namely, 'susumna', 'idakala' and 'pingaLa' merge - creating a dazzling shrine.




  (*5) The eight kinds of yOgAs 'ashtAnga yOgAs', are as follows:


1.   'iyamam' - non-lying, non-killing, non-stealing, non-yielding to lust and greed; complete control of sensory organs.

2.   'niyamam' - meditation, realising the value of purity, holiness, charity, vows in Saiva ways, knowledge of Saiva Sidhdhantha, sacrifices etc.

3.   'Aasanam' - bodily postures, chief among which are 'padma' (lotus), 'simha' (lion), 'bhadra' (happy), 'gomuka' etc.

4.   'prAnAyAmam' - Control of breath through 'rechagam', 'pUragam' and 'kumbagam'.

5.   'pratyAhAram' - Withdrawing the mind from the objects of the senses and looking inward.

6.   'dharaNai' - Concentration on the six chakras and on the ChidakAsam within the spinal colums.

7.   'dhyAnam' - When the five elements, the five senses and the internal organs like mind, intellect etc. are contained and meditation is undertaken.

8.   'samAdhi' - The final stage of yOgA involving the attainment of 'sahasrArA' and union with Siva-Sakthi.

- source: 'Thirumandhiram' by ThirumUlar.




  (*6) Eight Primary Siddhis (occult powers):


aNima: reducing one's body to even less than the size of an atom;
mahima: expanding one's body to an infinitely large size;
garima: becoming infinitely heavy;
laghima: becoming almost weightless;
prApti: having unrestricted access to all bodies and places;
prAkAmya: realising success everywhere;
eesatva: possessing absolute lordship;
vasitva: the power to subjugate all.




  (*7) The eight characterestics of God are as follows:


     1. Peerless -Superiorless- Self-absorbing
     2. Always in Chaste form
     3. Natural-Sensed
     4. Omniscient
     5. By nature, bondless
     6. Height of Grace
     7. Omnipotent
     8. Limitlessly Blissful.





    (*8) In Tamil, the total of eight and two, namely ten, is symbolised by the letter 'ya' which
            happens to be the last letter of Siva ManthrA, 'namasivAya'. This 'ya' governs the
            'AagnA Chakra' of kundalini, see Note (*2) above, which represents the space between
            the two eye-brows where the deity 'SadhAsivan' presides.

    (*9) In Tamil, eight is denoted by 'a' and two by "u".
            Adding 'm' to these two letters 'a+u+m' = 'aum' = 'Om' which is the 'PraNava ManthrA'.




  (*10) In KumAra ThanthrA, Murugan's 16 forms are mentioned. These are:


     1. Sakthidharar
     2. Skandhar
     3. DEvasEnApathi
     4. SubramaNiyar
     5. GajavAhanar
     6. SaravaNabavar
     7. KArthigEyar
     8. KumArar
     9. ShaNmugar
   10. ThArakAri
   11. SEnAni
   12. BrahmasAsthru
   13. VaLLikalyANasundharar
   14. BAlaswAmi
   15. KrounchabEdhanar
   16. SikivAhanar.


  (0402-0351-3416_000CA)*fam


þôÀ¡¼Ä¢ý ´Ä¢ôÀ¾¢×(¸û)  audio recording(s) of this song

guruji ragavan



templetemple


previous
'Á¾¡½¢' ±ñ Å¡¢¨ºìÌ«¸ÃÅ¡¢¨ºìÌ


next



www.kaumaram.com ...... The website for Lord Murugan's Devotees
  

Top Home_t Home Contents
view guestbook sign guestbook mailing list
 send us your suggestions 

download Azhagi software and Free Tamil fonts (SaiIndira)
download free Tamil fonts only (SaiIndira)