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‚ «Õ½¸¢¡¢¿¡¾¡¢ý song 371 |  Sri Gopala Sundaram | ¾Á¢Æ¢Öõ ¬í¸¢Äò¾¢Öõ Meanings in |
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* Á¼ø ±Øоø - ¾¨ÄÅý ¾¨ÄŢ¢ý «Æ¨¸ Å÷½¢òÐ µ÷ ²ðÊø Á¼Ä¡¸ ±Ø¾¢ «ÅÇÐ °ÕìÌî ¦ºýÚ ¿¡üºó¾¢Â¢ø ´ýÚõ §Àº¡Áø ´ÕÅÃРŨºìÌõ ܺ¡Áø À¼ò¾¢ø ±Ø¾¢Â ¯ÕÅò¨¾ô À¡÷ò¾Å¡Ú À¸Öõ þÃ×Á¡¸ ¿¢üÀ¡ý. «ÅÉÐ ¯Ú¾¢¸ñÎ ¾¨ÄŢ¢ý Å£ð¼¡÷ ¾¨ÄÅÛìÌ «Å¨Ç Á½õ ¦ºöÐ ¨ÅôÀ÷. ÓÕ¸ý ÅûÇ¢¨Â °ÃȢ Á¼ø ±Ø¾¢ Á½õ ¦ºöЦ¸¡ñ¼ ¸¡ðº¢ ¸ó¾ Òá½ò¾¢ø ÅÕ¸¢ÈÐ. |
Song 371 - magara meRikadal (thiruvaNNAmalai) makara meRikadal vizhiyinu mozhiyinu mathupa muralkuzhal vakaiyinu nakaiyinum vaLamai yinumuka nilavinu milavinu ...... niRamUsum mathura ithazhinu midaiyinu nadaiyinu makaLir mukuLitha mulaiyinu nilaiyinum vanasa paripura malarinu mularinu ...... mavarnAmam pakaru kinumavar paNividai thirikinu muruki neRimuRai thavaRinu mavarodu pakadi yidukinu mamaLiyi lavartharu ...... manurAkap paravai padiyinum vasamazhi yinumutha laruNai nakarmisai karuNaiyo daruLiya parama voruvasa namumiru charaNamu ...... maRavEnE kakana surapathi vazhipada ezhukiri kadaka kiriyodu mithipada vadakula kanaka kanakuva dadiyodu muRipada ...... muthucUthang kathaRu chuzhikada lidaikizhi padamiku kalaka nisisarar podipada nadaviya kalapa mathakatha thurakatha nrupakiri ...... mayilvAzhvE thakana karathala sivasutha gaNapathi sakasa saravaNa parimaLa sathathaLa sayana vanasarar kathipeRa munipeRu ...... punamAnin tharaLa mukapada neRipada nimirvana tharuNa puLakitha mrukamatha thanakiri thazhuva mayalkodu thanimada lezhuthiya ...... perumALE. ......... Meaning ......... makaram eRi kadal vizhiyinu(m) mozhiyinu(m) mathupa(m) mural kuzhal vakaiyinu(m) nakaiyinum vaLamaiyinu(m) muka nilavinum ilavinu(m) niRam mUsum mathura ithazhinum: In their eyes that look like the sea where makara fish jump about, in their speech, in the various coiffures of their hair swarmed by the humming beetles, in their smile and youthful healthy appearance, in their moon-like face, in their bright and sweet lips that are more reddish than the ilavam (silk-cotton) flower, idaiyinu(m) nadaiyinu(m) makaLir mukuLitha mulaiyinu(m) nilaiyinum vanasa paripura malarinum ularinum avar nAmam pakarukinum avar paNividai thirikinum: in their waistline and gait, in the bud-like bosom of these whores, in the way they stand, in the lotus-like feet wearing anklets and in chanting the names of the women, in the constant running of errands for them, uruki neRi muRai thavaRinum avarOdu pakadi idukinum amaLiyil avar tharum anurAkap paravai padiyinum vasam azhiyinum: in treading the unrighteous path with a melting heart for their sake, in witty conversations with them, in sinking into the sea of passion enjoying union with them on their bed and in losing my control in all these, muthal aruNai nakar misai karuNaiyodu aruLiya parama oru vasanamum iru saraNamum maRavEnE: I shall never forget the matchless word of preaching You first compassionately uttered to me in ThiruvaNNAmalai; nor will I ever forget Your two hallowed feet, Oh Lord! kakana surapathi vazhipada ezhu kiri kadaka kiriyOdu mithi pada vada kula kanaka kana kuvadu adiyodu muRipada: Indra, the leader of the DEvAs of the celestial world, praised You; the seven hills (that were like a fortress around the demon SUran) along with Mount ChakravALa were trampled; the famous golden mountain MEru in the north was completely shattered; muthu cUtham kathaRu chuzhi kadal idai kizhi pada miku kalaka nisisarar podipada nadaviya kalapa marakatha thurakatha nrupa kiri mayil vAzhvE: SUran, in the disguise of an old mango tree, screamed uncontrollably and was torn to pieces amidst the whirls in the sea; the demons who created much menace were shattered to pieces as You mounted the greenish horse, namely, Your Peacock, Oh Lord! You are the favourite child of Goddess PArvathi, the peacock of Mount HimAlayAs, Oh KumarA! thakana karathala siva sutha gaNapathi sakasa saravaNa parimaLa satha thaLa sayana: In His hallowed hand, He holds the fire-pot; and You are the son of that Lord SivA! You are the younger brother of GaNapathi, Oh SaravaNA! You slumber on the bed of lotus with a hundred petals (in the Pond of SaravaNa). vanasarar kathi peRa muni peRu puna mAnin tharaLa mukapada(m) neRi pada nimirvana tharuNa puLakitha mrukamatha thana kiri thazhuva mayal kodu thani madal ezhuthiya perumALE.: To enable the hunters to attain salvation, You became obsessed with love for VaLLi, the deer-like damsel born to a Saivite sage; She stood guard to the millet crop in the field, and Your passion to hug that VaLLi's mountain-like, youthful and exhilarated breasts that bulge out bending the upper attire, studded with pearls, into a curve, was so uncontrollable that You dared to write the madal*, Oh Great One! |
* madal - is a type of palm leaf used as a canvas on which Murugan drew the descriptive picture of VaLLi and went alone to VaLLimalai. There, He chose a junction of four streets and stood staring at the picture day in and day out, oblivious of other peoples' comments and jeers. Ultimately, VaLLi's people were so moved by Murugan's devotion that they decided to formally give VaLLi in marriage to Murugan - according to Kandha PurANam. |
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