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‚ «Õ½¸¢¡¢¿¡¾¡¢ý song 126 |  Sri Gopala Sundaram | ¾Á¢Æ¢Öõ ¬í¸¢Äò¾¢Öõ Meanings in |
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Ó¾ø 12 Å¡¢¸Ç¢ø ¸ñÏìÌ ¯Å¨Á¡¸ì ¸Õ¾ôÀÎõ ¸¼ø, ÅñÎ, ¾¡Á¨Ã, Å¢„õ, ¸Âø Á£ý, Á¡ÅÎ, §Åø, Á¡ý, ÂÁý, Å¡û, º§¸¡Ãô À𺢠¬¸¢Â¨Å ±í¹Éõ ¸ñÏìÌ ¯Å¨Á ¬¸¡ ±ýÀ¨¾ ´ù§Å¡÷ ¯Å¨ÁìÌõ ´Õ Ì¨È ¯ûÇÐ ±ýÚ ÜÈôÀÎõ Ó¨È ¾É¢î º¢ÈôÒ Å¡öó¾Ð. * ÁШâø 49 ºí¸ôÒÄÅ÷¸û þ¨ÈÂÉ¡÷ «¸ô ¦À¡ÕÙìÌ ¯¨Ã ±Ø¾¢É÷. º¢Èó¾ ¯¨Ã ±Ð ±ýÀ¾¢ø Ţš¾õ ²üÀ¼, ÁШà ¦ºðÊ ÌÄò¾¢ø °¨ÁôÀ¢û¨Ç Õò¾¢ÃƒýÁý ±ýÈ ¦À¡¢ø «Å¾¡¢ò¾ ÓÕ¸ý «¨ÉÅÃÐ ¯¨Ã¨ÂÔõ §¸ðÎ, ¿ì¸£Ãý, ¸À¢Äý, Àýý ¬¸¢Â ÒÄÅ÷¸Ç¢ý ¯¨Ã¸¨Çì §¸ðÌõ§À¡Ð ÁðÎõ Å¢Âô¨ÀÔõ, ¸ñ½£¨ÃÔõ ¸¡ð¼, þõ ãÅ¡¢ý ¯¨Ã§Â ¯ñ¨Áô ¦À¡Õû ±ýÚ ÒÄÅ÷¸û ¯½÷óÐ ¸Ä¸õ ¾£÷ò¾É÷. - ¾¢ÕÅ¢¨Ç¡¼ø Òá½õ. |
Song 126 - kadalaich chiRai (pazhani) kadalaic chiRaivaith thumalarp pozhiliR pramarath thaiyudaR poRiyit tumaduk kamalath thaimalarth thividath thaiyirap ...... pavanUNAk karuthic charuvik kayalaik kayamut paduvith thuzhaiyaik kavanath thadaisik kaNaiyaik kadaivith thuvaduth thanaiyup ...... pininmEvi adalaic cheyalsath thiyaiyak kiniyiR pukuvith thuyamap prapuvaith thukaivith tharikat kamvithirth thumuRith thumathith ...... thasakOram alaRap paNirath namaNik kuzhaiyaic chilukit tumaiyit toLivit tumarut tuthalut RapoRic chiyarkat kadaiyiR ...... paduvEnO sadilath thavanit tavisit takulath thoruchet tiyidath thinuthith tharuLvith thakaruth rajanmap peyarsep piyidap ...... parivAlE sanakark kumakaSth yapulaSth yasanaR kumarark kumanuk krakameyp palakaic chathupath thunavap pulavark kumvipath ...... thiyilnjAna padalath thuRulak kaNalak yathamizhth thrayamath thilakap poruLvruth thiyinaip pazhuthat RuNarvith tharuLvith thakasaR ...... gurunAthA pavaLak kodisut RiyapoR kamukit RalaiyiR kulaiyiR palamuth thuthirseyp pazhanip pathiveR pinilniR kumarap ...... perumALE. ......... Meaning ......... kadalaic chiRai vaiththu malarp pozhilil pramaraththai udal poRi ittu maduk kamalaththai malarththi: Arresting the sea so that it does not extend beyond a stipulated boundary, constricting the beetle in the flowery grove by engraving stripes on its body, letting the lotus in the pond wither away, vidaththai irappavan UNAk karuthic charuvik kayalaik kayam uL paduviththu uzhaiyaik kavanaththu adaisik kaNaiyaik kadaiviththu vaduththanai uppinin mEvi: reserving the AlakAla poison as the food for Lord SivA who goes about with a skull in His hand as the begging bowl, helping the struggling kayal fish back into the tank, confining the deer inside the forest, smelting the arrow in the furnace, pickling the baby-mango in brine, adalaic cheyal saththiyai akkiniyil pukuviththu yama prapuvaith thukaiviththu ari kadkam vithirththu muRiththu mathiththa sakOram alaRap pa(N)Ni: burning the triumphant spear in fire, kicking away Yaman (God of Death), brandishing the dazzling sword and flapping it until it breaks, making the revered bird, sakOram, scream (out of shame), rathna maNik kuzhaiyaic chilukittu mai ittu oLi vittu maruttuthal utRa poRicchiyarkaL kadaiyil paduvEnO: the eyes of the whores constantly combat with the swinging ear-studs made of precious gems and pearls; why am I ensnared by the corners of those bright eyes that are bewitching with black pigment and belonging to the whores who possess a bewildering mind? sadilaththavan itta sitta kulaththu oru chettiyidaththin uthiththu aruL viththaka ruthra janmap peyar seppi ida parivAlE sanakarkkum akaSthya pulaSthya sanak kumararkkum anukraka: At the behest of Lord SivA, with a crown of matted hair, You were born in the renowned lineage of ChettiyAr and grew up with the name of Rudrajanman*, full of grace and knowledge; with loving keenness, You taught Sages Sanakar, Agasthyar, Pulasthyar and SanathkumArar; meyp palakaic chathu paththu navap pulavarkkum vipaththu il njAna padalaththu uRu lakkaNa lakya thamizhth thrayam aththil akap poruL vruththiyinaip pazhuthu atRu uNarviththu aruLviththa viththaka saRgurunAthA: to all those fortynine poets seated on the plank of Tamil Sangam, You taught, without discrimination, and in a flawless manner, the interpretation of the chapter on Knowledge in "akapporuL" (the inner meaning - composed by Lord SivA), rich in grammar and literature and consisting of the three aspects of Tamil language, Oh Learned One and Great Master! pavaLak kodi sutRiya pon kamukin thalaiyil kulaiyil pala muththu uthir seyp pazhanippathi veRpinil nil kumarap perumALE.: On top of Mount Pazhani, the beautiful betel-nut trees are entwined by the creeping vine bearing corals, and pearls are dropped on the mountain which is Your abode, Oh Great One! |
The first twelve lines uniquely describe the following similes for eyes: sea, beetle, lotus, poison, kayal fish, deer, baby-mango, spear, Yaman (God of Death), sword and the bird sakOram and conclude that none of them is a match to the eye due to built-in defect in them. * Once, in Madhurai, 49 poet-stalwarts of Tamil Sangam wrote interpretation for the work of Lord SivA. To resolve the dispute among them about whose work was the best, Murugan came to Madhurai as a mute and dumb boy Rudrajanman, born in the lineage of ChettiyArs, and listened to all the interpretations. Only when He heard the works of Nakkeeran, Kapilan and BaraNan, He showed so much awe with tears in His eyes that the poets realised which were the best ones and resolved their dispute. - ThiruviLaiyAdal PurANam. |
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